An intelligent and sympathetic reappraisal of the political upheavals of the ’60s and ’70s.
Salon founder David Talbot and New Yorker writer Margaret Talbot offer admiring portraits of radical activists who sparked enduring social changes.
Through sharp reporting and good storytelling, the authors enliven a journalistic genre that in less skilled hands might have gone flat: the “Where are they now?” story. They devote a chapter to each of seven flashpoints of the 1960s and ’70s that created “the second American Revolution.” These include Black Power, gay pride, the anti-war movement, the siege of Wounded Knee, the battle for abortion rights, the rise of the United Farm Workers, and the “celebrity activism” embodied by John Lennon and Yoko Ono. The authors show how and why each movement unfolded, focusing on key figures like Bobby Seale and Dolores Huerta and describing their subjects’ early activism as well as their later lives. They aim partly to enlighten students, such as those who, a professor lamented, know the Panthers “only by their cool regalia…the black leather coats, the berets, the dark glasses.” But an abundance of fresh material gives this book an intergenerational appeal. In their portrait of the feminist abortion clinic the Jane Collective, the authors note that before Roe v. Wade, one doctor who did abortions took startling safety precautions: “An assistant picked the women up on street corners, blindfolded them, and brought them to undisclosed locations.” The authors also vividly portray events such as Cesar Chavez’s trailblazing efforts to organize grape pickers, Craig Rodwell’s quest to open America’s first gay and lesbian bookstore, and the Ojibwe leader Dennis Banks’ bold escape from Wounded Knee as federal officials swept up Native resisters. Some readers may fault a few of the choices—particularly that of Lennon rather than Bob Dylan as the main representative of “protest songs”—but even the dissenters may appreciate that the authors avoid Allan Bloom–style crankiness in recalling the ’60s and evoke the ’70s without using the word disco.
An intelligent and sympathetic reappraisal of the political upheavals of the ’60s and ’70s.Pub Date: June 8, 2021
ISBN: 978-0-06-282039-6
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: March 19, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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