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BETTE DAVIS

Indispensable additions to any American film library.

The stars shine bright in this series of brief biographies of four of classic Hollywood’s most enduring icons.

Eminent film critic Thomson (The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder, 2009, etc.) brings a historian’s acumen and poet’s sensibility to his portraits of Bette Davis, Ingrid Bergman (ISBN: 978-0-86547-934-0), Humphrey Bogart (ISBN: 978-0-86547-933-3) and Gary Cooper (ISBN: 978-0-86547-932-6). The author seeks to identify the mythic essence of each of the star’s cinematic personae, and the ways in which key films and carefully managed public perceptions shaped those ideas. Davis enjoyed a long reign as Hollywood’s top star in the era of great stars, despite and because of her variable looks, peppery temperament and air of starchy New England superiority. Bergman was the “natural” country girl, beautiful and virtuous, whose selfish passion for her career and compulsive promiscuity both fueled the love fantasies of her audience and ultimately led to international scandal and disgrace. Bogart, the sensitive tough guy, was hounded by insecurity and a host of other personal demons, his upper-class background lending an innate dignity and honor to his fabled menagerie of wisecracking gangsters and gumshoes. Cooper is presented as a hapless, weak-willed adulterer whose lean body, rugged handsomeness and preternatural stillness translated on camera as a quintessentially American rectitude and heroic stoicism. In clean, allusive prose, Thomson assesses the filmographies of these titans, offering surprising judgments and insights—he despises Cooper’s beloved Sergeant York (1941) and the Davis classic The Man Who Came to Dinner (1942)—and defining the magic of a vanished kind of stardom, an orchestrated mystique that made these men and women dream figures for a mass audience. The books are full of fascinating tidbits of gossip regarding his subjects’ sexual peccadilloes, financial maneuverings and studio politicking, and Thomson is wickedly funny and startlingly poetic in his observations. On Davis: “Blonde, with eyes like pearls too big for her head, she was very striking, but marginally pretty and certainly not beautiful.”

Indispensable additions to any American film library.

Pub Date: Jan. 12, 2010

ISBN: 978-0-86547-931-9

Page Count: 144

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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