by David Thomson ‧ RELEASE DATE: Aug. 8, 2017
An entertaining, well-documented history of the legendary studio for film scholars and fans alike.
The colorful history of the renowned Warner Bros. film studio and the brothers who founded it in the early 1920s.
In the latest entry in the publisher’s Jewish Lives series, renowned film scholar Thomson (Television: A Biography, 2016, etc.) explores the lives of the Jewish immigrant siblings who reinvented themselves as the Warner Brothers. The author explores the contributions of each of the brothers, but the most notable character is Jack Warner (1892-1978), a successfully intuitive studio head and quintessential Hollywood scoundrel who would go on to achieve one of the most lucrative careers in the business. There have been plenty of books about the studio and the brothers, and their Jewish immigrant story has already been exhaustively recounted in Neil Gabler’s monumental group biography Empire of Their Own: How the Jews Invented Hollywood (1988). Nonetheless, within this slim volume, Thomson offers a compelling, well-packed narrative. He vividly appraises WB’s signature genres, such as the early gangster films and backstage musicals, within a grounded social history of the country and gives meaningful weight to how and why the studio flourished during the Depression and the war years. “Warners was more honest about hard times than any other studio,” writes the author. “It was the factory system that defied the slump….As the box office faltered, Warners gave us dames, gunfire, jazzy music, wisecracks, and outrageous, unhindered ids in smart suits, guys who’ll go for broke because they know they’re doomed.” While Thomson provides a lively overview of the brothers’ lives, his commentary on the many enduring WB stars, including James Cagney, Humphrey Bogart, Errol Flynn, and Bette Davis, and the back stories behind several classic films such as The Jazz Singer, Public Enemy, and Casablanca, are also noteworthy.
An entertaining, well-documented history of the legendary studio for film scholars and fans alike.Pub Date: Aug. 8, 2017
ISBN: 978-0-300-19760-0
Page Count: 232
Publisher: Yale Univ.
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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