by David Toomey ‧ RELEASE DATE: July 1, 2002
What Toomey most neatly taps into is that strange moment in time when storm-hunting made sense, when a few years earlier...
A sturdy revivification of one star-crossed hurricane-hunting mission by Navy fliers, plus a more general (and more gratifying) history of hurricanes.
As Toomey (Amelia Earhart's Daughters, 1998) sketches it out for readers, the post-WWII period was the first time that it was possible to make aerial reconnaissance of violent weather, thanks to the wealth of trained pilots and advances in technology. These were the Hurricane Hunters, and in their 30-year history, only one plane was lost. Toomey weaves the story of that crew's final flight throughout this narrative, but it fails to prompt much excitement, mainly because Toomey has refused to take any creative liberties with the flight—it is not known what happened to the plane, whether wind shear or downdraft or flooded engines caused it to crash—and his conjectures are kept to a few terse pages. Vest-pocket biographies of the fliers aren't enough to provoke much human interest, either. What keeps the story afloat are descriptions of the gathering storm—Hurricane Janet, with monster winds—and a broad look at hurricanes through history. Toomey charts the early research and then closely follows all the academic beard-pulling of the following decades over the nature of hurricanes. The storm work of Robert Hare, William Redfield, Vilhelm Bjerknes, and Lewis Richardson is handily covered, though Toomey occasionally gets in over his head, as in brief forays into the nature of turbulence and fluid dynamics. Finally, we still know little about the storms: Questions both small (why the air in the eye is warmer than the air in the surrounding clouds) and large (the nature of the interactions among the storm's components) still confound meteorologists.
What Toomey most neatly taps into is that strange moment in time when storm-hunting made sense, when a few years earlier such missions would have been logistically and technologically impossible, and a few years later advances in technology would make such flights, at the least, quixotic. (16 pages of photographs)Pub Date: July 1, 2002
ISBN: 0-393-02000-2
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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BOOK REVIEW
by David Toomey
BOOK REVIEW
by David Toomey
BOOK REVIEW
by David Toomey
by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lulu Miller ; illustrated by Hui Skipp
by Patrik Svensson translated by Agnes Broomé ‧ RELEASE DATE: May 5, 2020
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
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