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THE HIAWATHA

A new voice in the Native American literary landscape, Treuer (Little, 1995) returns with a numbingly sorrowful tale of a fratricide that triggered a chain of events and devastated an Indian family already reeling from the accidental death of the boys’ father. Having served ten years for killing his brother Lester, Simon comes back to the decayed Minneapolis neighborhood where he did the deed, and where his mother Betty now gives him less than a warm welcome. In time, Simon learns many things that fill in the gap left by his years away: that one of his sisters died and the other moved far away, never to be heard from; that Lester left a son, Lincoln, whose 16-year-old mother abandoned him in Betty’s arms just after his birth; that Betty never told the boy about his uncle or why he went to prison; that Lincoln’s mother is still in the city, not far away. A job in Simon’s former profession, building the steel frames of the city’s skyscrapers, is out of the question, yet he ekes out a living for a while, until he kills a goose for food, only to be arrested and jailed for it. When he gets out, Betty and Lincoln are gone to the reservation and the house they lived in is being demolished. So he goes there also, where a bit of illegal fishing and an escape from the fish-and-game folks get him lost in the woods with a broken leg. He hobbles back to the city and miraculously winds up with a decent place to live, a job, and a girlfriend—but Lincoln finally learns what his uncle did to his father and comes looking for Simon, setting in motion a last round of tragic mistakes. Motivation for the initial murder is left murky to a frustrating degree, but, overall, this is a story lyrical in its sadness, one demonstrating that most precious and rare of writerly gifts: the ability to reach equally well into both the heart and mind of the reader.

Pub Date: May 10, 1999

ISBN: 0-312-20313-6

Page Count: 320

Publisher: Picador

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1999

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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