SLEEPING WITH THE LIGHT ON

As the sound and violence of war seep into Guatemala City during the 1950s, little Davico gradually sees his life change piece by piece.

Within the city stands La Casita, a renowned restaurant operated by Davico’s family that’s beloved by many. La Casita’s second floor also serves as the family’s living quarters, where Davico plays with his older brother, Felipe, and Mamá and Papá sometimes argue once the blackouts start. But before the blackouts come, a rain of yellow and blue papers falls from planes. The bright papers speak of “guns, armies and tanks” and “liberación and revolución.” Having fled from the “nonsense” in Germany, Papá struggles to keep the restaurant open as nights full of increasing gunshots and blackouts remind them of the oncoming rattles and bangs of war. Mamá, meanwhile, commits to keeping them whole. Then Papá and Mamá announce that they’re heading to the United States of America, leaving Davico and Felipe behind with stoic Uncle Aaron and strict Aunt Lonia until Papá and Mamá find new jobs and a new house. With a clear focus on Davico and his family—and drawing on his family’s own history—Unger conveys the claustrophobia and anxiety caused by the looming war in just a few pages while building Davico’s life in broad yet vivid strokes. It’s a tenuous balance, especially for a story aimed at such a young readership, but the book works, thanks in part to Aguilera’s illuminating illustrations, which open each chapter.

A bittersweet tale of life amid war.