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AGAINST ELECTIONS

Readers who disagree with the cure may at least recognize the incisiveness of the diagnosis.

A radical remedy to save the essence of democracy, which is diseased and potentially dying.

>The provocative title doesn’t tell the whole story. As European intellectual Van Reybrouck (Congo: The Epic History of a People, 2014, etc.) argues, what we need is not less democracy but purer democracy. Those who equate democracy with elections, he writes, are wrong. To the contrary, elections are anti-democratic, establishing a political aristocracy that is disconnected from and distrusted by voters. Thus, “it would appear that the fundamental cause of Democratic Fatigue Syndrome lies in the fact that we have all become electoral fundamentalists, despising those elected but venerating elections.” If DFS is the rapidly worsening disease, what is the cure? The author carefully builds a historical case for a return to the classic Athenian principles of democracy, in which citizens contributed not by vote but by lot. Those representing the masses in running the government were chosen the way that modern democracies generally choose juries, putting important decisions in the hands of citizens chosen randomly rather than by vote or merit and allowing them to deliberate toward a consensus. A fairly recent inspiration for this proposal comes from the concept of “deliberative democracy” advanced by a Texas academic, who proceeded from the oversized influence that unrepresentative states such as Iowa and New Hampshire have on the presidential selection process to suggest that a smaller, more diverse group be assembled to deliberate, a process that would be more likely to change minds than the polarization we have now. Among those most aghast at such a radical shift have been the political parties and the media, who serve as gatekeepers, as well as others with a vested interest in the status quo. However, “why do we accept the fact that lobbies, think tanks and all kinds of interest groups can influence policy yet hesitate to give a say to ordinary citizens, who are after all what it’s all about?”

Readers who disagree with the cure may at least recognize the incisiveness of the diagnosis.

Pub Date: April 3, 2018

ISBN: 978-1-60980-810-5

Page Count: 208

Publisher: Seven Stories

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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