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NIGHTSCAPE

THE IRON SHADOW (THE HALLOWED EARTH CYCLE)

A sword-and-sorcery novel as cerebral as it is pulpy.

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In Edwards’ fantasy novel, the first in a series, two friends on a rescue mission find themselves in the midst of a magic war.

Ranvir, a dream magician–in-training–turned–itinerant rogue, and his friend Broga, an exile from a scattered nation, are searching for Broga’s half sister, Ovandu, whom they believe has been sold into slavery. With the help of a magical tracking beast, the travelers follow Ovandu’s trail to the remote desert city of Kanavar, perched on either side of a massive gorge: “The absurd size of it alone—up, down, across—dizzied me. It was like an upside-down mountain range, replete with vast fissures, unlikely outcroppings and strange, eroded rock forms. The bottom was lost in an all-consuming black.” They manage to bluff their way through the gates disguised as a famous wizard and his slave. There they find a city split between two rival factions; both employ powerful magicians to help them seize control of the whole. Ranvir and Broga want no part of a civil war. They want only to find Ovandu and escape before anyone realizes they aren’t who they say they are. They can’t avoid the messy conflict, however, especially when it becomes apparent that one side is attempting to bring to life and enslave the massive statue of the city’s legendary god. Even worse, when they finally find Broga’s half sister, they learn that the Ovandu before them is not the Ovandu they once knew. In addition to the novel, the book contains the short story “Helldriver Alley” by Edwards and James Palmer. The tale follows Ranvir and Broga on an earlier adventure in which they and their comrades investigate a mysterious plague and make a discovery that feels outside of time and space.

Both novel and short story are sword-and-sorcery tales turned up to 10 with a dash of verbose Lovecraft-ian weirdness to give the story some extra darkness. Edwards isn’t afraid of alienating the reader with his worldbuilding. In fact, it seems to be the greatest source of his authorial joy, like here where Ranvir contrasts the desert with the rainforests of his homeland: “To my ears, the desert stillness was a hollow and stultifying roar. Nature in its fullness meant the lively whistle and flutter of Ixzahl. The high tsee-tsee of yellow skógard in flight. Noisy woodcreep chatter. Monarch sharps. Insect hum. Pocket-sized skipti flitting from branch to branch.” The fast-talking Ranvir is a fun protagonist, and his complicated relationship with the brooding, vengeance-fueled Broga provides a necessary emotional heart to the novel. The well-crafted prose does make the reader work, and the plot moves slowly under the weight of its own backstory. The result is something like if J.R.R. Tolkien had written a Conan the Cimmerian novel. It likely won’t appeal to the average fantasy fan, but there is surely an audience for whom this is the perfect combination of serious and sensational. For those lucky fans, more volumes will follow.

A sword-and-sorcery novel as cerebral as it is pulpy.

Pub Date: Nov. 9, 2021

ISBN: 978-0-578-30463-2

Page Count: 258

Publisher: Imperiad Entertainment

Review Posted Online: Dec. 28, 2021

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IRON FLAME

From the Empyrean series , Vol. 2

Unrelenting, and not in a good way.

A young Navarrian woman faces even greater challenges in her second year at dragon-riding school.

Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school.

Unrelenting, and not in a good way.

Pub Date: Nov. 7, 2023

ISBN: 9781649374172

Page Count: 640

Publisher: Red Tower

Review Posted Online: Jan. 20, 2024

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EMILY WILDE'S COMPENDIUM OF LOST TALES

A well-constructed and enjoyable conclusion.

In the conclusion to the Emily Wilde trilogy, a Cambridge professor of dryadology—faerie studies—prepares to live her research as never before.

Previously, in Emily Wilde’s Map of the Otherlands (2024), Emily poisoned Queen Arna, the usurping stepmother of her faerie-prince fiance, Wendell Bambleby, and found a gate to Wendell’s lost kingdom; naturally, the process of establishing a new monarchy in a quixotic faerie realm will be far from smooth. Unfortunately, Arna is not quite dead; she is using her poisoned, liminal state to blight the very landscape. Emily must employ her specific mortal skills (academic research and unrelenting resolve) to find the faerie lore that best describes their current situation, picking out the clues within scraps of old tales to locate the hidden, dying queen, and deal with her in a way that doesn’t lead to further damage. Although much of what she learns is grim, Emily forges on, determined to discover the path to a happy ending for herself and Wendell, where she can be the faerie queen she never imagined she’d be (and is frankly quite uncomfortable being). Thankfully, this concluding volume isn’t the feared retread of the previous two, both of which involved Emily’s research in remote European locations and her efforts to get on with the human locals, even while her obvious neurospiciness and deep understanding of rules allow her to deal with faeries more effectively than most mortals can. This installment makes effective callbacks to the previous two, while moving the story forward as Emily, despite the concerns of her mortal friends, tries to make a place for herself in a dangerous new world where not all of her subjects are prepared to take her seriously. Janet of Carterhaugh merely had to drag her lover Tam Lin from a horse to secure her happiness from a vengeful faerie queen; Emily has to put in real work, using her brain and plunging into physical danger to earn her future. The result is far more satisfying and believable, despite being mainly set in a fantastical world.

A well-constructed and enjoyable conclusion.

Pub Date: Feb. 11, 2025

ISBN: 9780593500224

Page Count: 368

Publisher: Del Rey

Review Posted Online: Dec. 11, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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