New science fiction shoot-’em-up from the author of Echoes of Honor (p. 1076), etc. By the 25th century, humanity is finally winning its long war with the xenophobic Kangas. But then a human Battle Division intercepts a Kanga fleet traveling backwards in time, clearly intending to destroy Earth in the past! After a terrible struggle, only two ships survive to reach the year 2007: one contains a Troll(a Kanga cyborg with an enslaved, insane human brain)and BatDiv’s Colonel Ludmilla “Milla” Leonovna, whom the Troll thinks it’s killed. Lone sailor and US Navy Captain Richard Aston witnesses a battle involving nukes and UFOs high above the Atlantic, and he rescues what appears to be a dying Milla from her stricken ship. But Milla heals rapidly—though she looks like a girl, she’s actually immortal, thanks to the symbiont, deadly to nearly everyone else, in her blood—all of which she soon explains. Aston believes her story and sails into the US Navy base at Holy Loch, Scotland. But is there anyone else they should consult? Problem: the Troll is telepathic and can listen in on susceptible people. So, Aston and Milla must select their allies very carefully. Meanwhile, the Troll, having decided to enslave humanity, heads for the States to recruit an army of zombie slaves. A grim fight ensues; finally the Troll is killed and its ship captured, but Aston is mortally wounded, leading Milla to give him a blood transfusion; luckily, he survives, in the process becoming immortal too! Now humanity will have time to study the Troll ship and prepare for the Kanga invasion that, in Milla’s home universe, started the whole business. Moves along at a good clip, with lots of simple explanations, spiffy hardware, military acronyms, and whiz-bangs. Perhaps its teenaged target audience won’t care about Weber’s wretched attempts to compose female characters.
Pub Date: Jan. 1, 1999
ISBN: 0-671-57782-4
Page Count: 320
Publisher: Baen
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1998
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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