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THE WARMASTERS

Despite Drake’s gratuitous references to exploding body parts (“the blast. . . pureed their heads and torsos”), these...

Military science fiction in three novellas from Drake, Weber, and Flint with characters or plotlines from the authors’ well-known multivolume series. It’s too soon to tell whether the war against terrorism will elevate military SF to the level of its WWII glory years. The standout in these three original tales provides an idea of what some of the Baen boys have been doing over the last two decades. Flint’s “Islands,” the best of the lot, is also the most difficult to follow. An outtake from the Belisarius series (written in collaboration with Drake, The Tide of Victory, etc.), it needs an introduction to explain that it’s set in an alternate past where personalities from the future are introducing advanced technology to the fifth century Roman Empire. The story, though, is a touching, battle-brings-out-our-best tale as Calopodius, a young and naive Greek nobleman who escaped his loveless marriage to join Belisarius’s army, not only learns to live with wounds that have rendered him permanently blind, but enlists his estranged wife on a mission of mercy that repairs their marriage. Weber (Ashes of Victory, etc.) goes the rights-of-passage route as his tough, resourceful female King’s Navy officer Honor Harrington learns how to survive shipboard hazing and marauding space pirates in “Ms. Midshipwoman Harrington.” In “Choosing Sides,” Drake offers another guts ’n’ glory adventure for his future mercenaries, Hammer’s Slammers (The Sharp End, etc.), with Lieutenant Arne Huber uncovering, and then helping to slaughter, a band of saboteurs threatening the Slammers’ latest job.

Despite Drake’s gratuitous references to exploding body parts (“the blast. . . pureed their heads and torsos”), these stories of stock characters in visceral action scenes actually tend to fare better outside their ponderously plotted series than in.

Pub Date: May 1, 2001

ISBN: 0-7434-3534-6

Page Count: 320

Publisher: Baen

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2002

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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