Reassurance for wallflowers everywhere.
A young boy is hesitant to join in doing music class.
The hipster teacher (who sports an impressive mustache) grabs his guitar and begins to sing. Everyone perks up and is ready to move. Everyone, that is, except the one youngster who would rather sit and watch than sing and dance. He clutches his toy frog (and his mother) even tighter than before. The teacher belts out his repeating refrain: “That’s all right, there’s no rush. / Whenever you’re ready, come play with us!” All kinds of music-class accoutrement are brought out: shakers, scarves, rhythm sticks, and instruments. With each one, the boy becomes more and more curious (and brave). Predictably, he ends up leaping in and never wanting to leave. Weinstone, the founder of Music for Aardvarks and Other Mammals—an interactive music class that began in New York City—certainly knows what makes a class tick (or rock). The children in the class are wonderfully diverse, though the protagonist is Caucasian, and Vogel either attended a music class or received copious notes because the mannerisms of the kids are spot-on. They chew on scarves, lose their instruments, kick their shoes across the room, and otherwise make mayhem. The rhymes can seem syrupy and simple, but listen to Weinstone sing the song (available for download from the publisher). It will become addictive.
Reassurance for wallflowers everywhere. (Picture book. 4-8)Pub Date: Sept. 15, 2015
ISBN: 978-0-374-35131-1
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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