Raw and compelling; a story well told of a vital and varied life in a war-torn region.
The British-born founder of an international nonprofit organization traces his activism in this debut memoir.
Wilson may have been born in Britain, but it wasn’t long before he had an urge to discover the world. At age 13, he was sent to live at a school where he became a social outcast with the nickname “Commie Wilson.” One of his only two school friends mentioned that his father lived in Argentina, so at 17, Wilson announced to his parents that he would be leaving to work there. Coming of age in South America (as well as losing his virginity), the peripatetic Wilson then returned to England only to depart again for a 10-day holiday on an island in Yugoslavia, where he met Renata, the girl who would become his wife. The author had his initial real awakening to the harsh reality of the world when he first visited Zagreb to meet Renata’s family. In 1968, when he returned to Zagreb to marry, it was a time of war in Yugoslavia. Wilson’s connection to that country continued; he ended up representing a Croatian painter and traveling back from London to Zagreb, where he was directly exposed to the Bosnian War. This turning point in Wilson’s life led to the co-founding of War Child, a nonprofit organization originally started to call attention to the plight of Bosnian children. It also ended his first marriage because “I preferred to be in a war zone rather than be at home with her.” Through a series of high-profile, celebrity-laden fundraisers, War Child continued to achieve remarkable success, but it was a charity concert by Luciano Pavarotti that indirectly led to Wilson’s next position as director of the Mostar Music Centre in southern Bosnia and Herzegovina. With a keen eye for detail, the author recounts his diverse experiences in the embattled region, including encountering Bosnian refugees (“I felt fear for myself and sorrow for the plight of these people….They could have been refugees in any war: suitcases tied with string, a live animal if they were lucky”). His shared heart-wrenching observations are clearly a highlight of this richly textured, moving work. The book ends with a different voice in a chapter by Wilson’s second wife, Anne, who writes poignantly about her first trip to Mostar.
Raw and compelling; a story well told of a vital and varied life in a war-torn region.Pub Date: May 5, 2016
ISBN: N/A
Page Count: 368
Publisher: Unbound Digital
Review Posted Online: Nov. 18, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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