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ENEMY COMBATANT

A searingly insightful, tragicomic adventure that lays bare personal and political fault lines.

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An American man in turmoil pursues a disastrous plan to right the wrongs of extraordinary rendition in this novel.

When he was growing up, Peter Shipman saw his father—once a fiery activist for civil rights and against the Vietnam War—descend into an angry, liquor-fueled viewer of fight-the-system movies. Admiring his father’s principles, if not the man himself, Peter becomes determined to wage similar battles; “Jim Crow was dead, but there was Ronald Reagan to contend with.” Now, in 2005, 32-year-old Peter designs web pages and is married to Sarah, a prosecuting attorney expecting their first child. Learning that his mother, Alice, is failing after a botched emergency surgery, Peter rushes from Brooklyn to Phoenix. At his dying mother’s hospital bed, Peter boils over with rage at everyone he holds responsible, not just the heart surgeon, but also Arizona itself (full of Republicans), the George W. Bush administration, and its war crimes. Back home, Peter waits for Sarah to go to bed every night. He then gets wasted and doomscrolls the internet: “He wasn’t normally what you’d call an angry drunk, but the words Bush, torture, Arizona, and Alice burned through his gut like savage heart burn.” When things come to a head, Sarah kicks him out for four months, their future reconciliation depending on whether he gains equilibrium. An invitation abroad from his similarly debauched college roommate, Leonard Kaufman, promises a welcome distraction until, on a trip through Georgia, Peter learns of secret CIA prisons there and in nearby Armenia. Peter conceives a desperate plan to find one of the prisons, photograph it, break in, and release the inmates with Leonard’s help. Though Peter and Leonard couldn’t be more unqualified, the misbegotten, sometimes comic mission has some unlikely success but inevitably is marred by an unforgettable and futile tragedy.

In his third novel, Winner constructs a train-wreck scenario that readers can’t look away from no matter how gruesome it becomes. While the two friends’ goals are laughably out of reach, the author makes each step of the journey plausible in itself as Peter and Leonard stumble through one misadventure after another, degenerating all the way. Winner also manages the feat of giving these escapades the taut excitement of a macho-patriotic action thriller—or rather, its warped, fun-house-mirror reflection. Many readers will sympathize with Peter’s fury at the government’s role in torturing prisoners held in black-op sites and understand his fantasy of doing something about it. But the author’s subtle, intelligent characterization makes clear that however well-earned Peter’s rage against the machine is, that machine is also a convenient target that allows him to displace intolerable emotions or avoid honest self-evaluation. Similarly, Peter deflects grappling with how he’s destroying his marriage by caricaturing Sarah as someone who’s always playing the prosecutor during their arguments: “She couldn’t say, ‘objection, your honor,’ because she wasn’t in the courtroom.” In the end, Peter remains rightly haunted by his actions and their poignant consequences.

A searingly insightful, tragicomic adventure that lays bare personal and political fault lines.

Pub Date: March 2, 2021

ISBN: 978-1-944853-75-4

Page Count: 240

Publisher: Tablo

Review Posted Online: Feb. 12, 2021

Kirkus Reviews Issue: April 1, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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