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FUTURISTIC VIOLENCE AND FANCY SUITS

Some of the sci-fi elements are comic book–y and the humor is as juvenile as ever, but the book more than makes up for any...

A young woman who believes her father dead enters a cyberpunk theme park where everyone is trying to kill her for a secret she doesn’t even know she has.

All right, grab some popcorn and strap in. We’re in for another profane and funny roller-coaster ride from Wong (This Book is Full of Spiders, 2012, etc.)—better known as the playful pseudonym of Cracked's Jason Pargin. Here the author strays from his previous horror adventures to craft a sci-fi comedy-thriller full of ray guns, sentient programs, and cybernetically enhanced psychotic killers. Our hero(ine) is Zoey Ashe, a self-identified “trailer troll” from rural Colorado whose single mother shills drinks in a zombie-themed bar. It doesn’t take long for Wong to offer lots of clues that this is the near future, one in which the chasm between the rich and the poor has reached cartoonish proportions. It turns out that Zoey’s father was Arthur Livingston, the founder of a utopian city geared toward criminals and the superrich called Tabula Ra$a, located out in the high desert. Arthur was blown up by a rival arms dealer, so his gang, the Suits of the title, are under instruction to fetch Zoey, who holds the key to retrieving his fortune, not to mention his violent revenge. “I want no part of this nonsense,” Zoey says. “This whole city is a butt that farts horror.” The enhanced bad guys are all broadcasting to the fictional “Blink” network, a kind of POV live stream that lends itself well to the insane supervillain monologues that pepper the book. Meanwhile, Zoey's lack of enthusiasm is irksome to Will Blackwater, her escort. “You take risks; you get hurt,” he says. “And you put your head down and plow forward anyway and if you die, you die. That’s the game. But don’t tell me you’re not a hero.”

Some of the sci-fi elements are comic book–y and the humor is as juvenile as ever, but the book more than makes up for any shortcomings with its Technicolor tomorrowland, mischievous humor, and frenetic action sequences.

Pub Date: Oct. 6, 2015

ISBN: 978-1-250-04019-0

Page Count: 384

Publisher: Dunne/St. Martin's

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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RED RISING

From the Red Rising Trilogy series , Vol. 1

A fine novel for those who like to immerse themselves in alternative worlds.

Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.

In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.

A fine novel for those who like to immerse themselves in alternative worlds.

Pub Date: Jan. 28, 2014

ISBN: 978-0-345-53978-6

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 2, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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