While Abigail’s internal process feels believable, there is no condemnation of the bullying, and the resolution with the...
A fat girl named Abigail copes with a negative body image.
Unfortunately, this book’s good intentions miss the mark. The very title, juxtaposed with jacket art depicting a heavyset white girl clad in a bathing suit and goggles, risks reinforcing the fat-shaming it attempts to undo. As the book opens, Abigail walks, head down, toward a group of jeering, thin, white children. “Abigail always tried to be last in line, because she knew that when she dived in, she would make an enormous wave, and everyone would shout, 'ABIGAIL IS A WHALE!’ ”—and that’s exactly what happens. Also poolside is the swimming teacher, a white man, who is fat, too. Although he does nothing to stop or correct the children’s bullying of Abigail, he talks with her afterward, praising her swimming and telling her, “if you want to feel light, think light.” She decides to practice this mind-over-matter advice in other ways (thinking “giant” to feel big and powerful on her walk home and “hedgehog” to cozily burrow into bed for a good night’s sleep), building up to her next dive into the pool. Then she thinks “rocket and enter[s] the water without a splash.” This success suddenly makes the others cheer her on, and she even reclaims the term “whale” in order to summon the bravery to jump from the highest diving board.
While Abigail’s internal process feels believable, there is no condemnation of the bullying, and the resolution with the other children feels forced. (Picture book. 6-8)Pub Date: Sept. 15, 2016
ISBN: 978-1-77147-198-5
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: July 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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