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THE CALL OF THE SWAMP

A melancholy contemporary folk tale.

An Italian import confronts questions of identity, belonging, and family.

The story begins with a folkloric sensibility as it introduces a white couple who “had given up hope that they would ever have any” children. They find a “newborn” child in a swamp and ignore his unusual appearance, including gills, large eyes, and, instead of hair, the watercolor-and-ink illustrations add spiky appendages that look like sea anemones atop his head. In an initially troubling turn for a fantasy positioning itself as an adoption allegory, the couple decides it doesn’t matter whether the baby’s parents abandoned him or died; they simply name him Boris and take him home. Boris grows up happily enough, but the titular call of the swamp beckons, and he leaves home to reconnect with the swamp. He communes with creatures who, though realistic animals, look something like him, and he delights in his swampy surroundings. His compassionate parents, in gestures that belie their initial insensitivity, leave notes reading “If you’re happy where you are, then we’re happy too.” But—“How much are we really like those who look like us?” Boris wonders as he begins to feel there’s nowhere he belongs and notices differences between himself and the swamp creatures. An affecting, emotional open ending concludes the story, resisting a happily-ever-after tone as Boris departs to reunite with his parents.

A melancholy contemporary folk tale. (Picture book. 4-8)

Pub Date: Sept. 25, 2017

ISBN: 978-0-8028-5486-5

Page Count: 26

Publisher: Eerdmans

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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