Creative visuals and storytelling make for an absorbing read and a great bridge for both math and writing activities.
Will the pigs’ storytelling ever please the big bad wolf?
It’s a battle of wits. Back-and-forth dialogue between the pigs and the wolf makes clear that the wolf is a demanding editor. Most tales that the pigs tell are too short. Some veer off topic. Other stories lack specificity. The wolf wants a story with a “beginning and a middle and an end.” The pigs try. At the end of each story, the wolf almost always eats the pigs. The pigs are creative. They describe a soccer game. They write a story with 26 pigs (one for each letter of the alphabet) and one with 29 pigs (one for each day of the month—it’s February and a leap year). They even write math-based stories, but the wolf is still not satisfied. However, in a logical but still surprising ending, there is a clear victor. Readers who carefully watch the wolf’s face and posture will get hints. The illustrations, an inspired blend of illustration and photography, depict the pigs as beads grouped along an abacus. The pigs’ faces are expressive, with interesting details like a doctor’s coat and fun hats. The sometimes numbered or lettered pig beads shift from side to side and multiply as each spread’s story requires. The result is a clever take on metafiction that will appeal to both budding mathematicians and writers. (This book was reviewed digitally.)
Creative visuals and storytelling make for an absorbing read and a great bridge for both math and writing activities. (Picture book. 5-8)Pub Date: Sept. 27, 2022
ISBN: 978-0-7352-6991-0
Page Count: 36
Publisher: Tundra Books
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...
Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.
This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7636-6649-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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