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NOTES ON A SHIPWRECK

A STORY OF REFUGEES, BORDERS, AND HOPE

A potent narrative that builds from matter-of-fact observation through horrific experience toward a metaphysical acceptance...

Subtle meditation and devastating detail combine in this journalistic memoir of refugee landings on the Italian island of Lampedusa.

A prizewinning playwright in his native Italy, Enia (On Earth as It Is in Heaven, 2014, etc.) relies on the skills he sharpened as a journalist to recount the often deadly plight of exiles traveling over treacherous waters from Africa to Europe. Yet those depths also provide a backdrop for more intimate accounts—of a close friend who succumbed to cancer and an uncle who is suffering the same. In the aftermath of a particularly calamitous shipwreck—only 155 survivors landed on Lampedusa of the more than 500 who had begun the voyage—one rescuer observed, “It’s normal, isn’t it? You see someone in the water, you lean over from the deck of the boat and you do your best to grab him. Anyone who sees a person drowning does whatever he can to rescue him. It’s not like we’re heroes, after all.” Such instinctive decency triumphs over polarized politics or fear of the “other”—a fear that can go both ways, as many of the African refugees have apparently never seen white skin before. The author’s companion witness on the island is his father, a retired physician–turned-photographer who is both loving and reticent. The two communicate through the words the son writes, the images the father captures, and the silences that are pregnant with meaning between the two. “In doing portraits of faces, my father could sense the disintegration of life,” writes Enia, continuing, “it was my father’s way of trying to start a dialogue with God Himself, a dialogue that contained both an effort to understand and a conscious abandonment of self to the mystery of existence.” Like the sea itself, that mystery is fathoms deep, encapsulated in a multilayered narrative that attempts to come to terms with the universality of mortality.

A potent narrative that builds from matter-of-fact observation through horrific experience toward a metaphysical acceptance that is something like a state of grace.

Pub Date: Feb. 19, 2019

ISBN: 978-1-59051-908-0

Page Count: 256

Publisher: Other Press

Review Posted Online: Nov. 20, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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