by Dawn Apperley & illustrated by Dawn Apperley ‧ RELEASE DATE: April 1, 2001
Best buddies Blossom and Boo decide to explore the mysteries of the nighttime forest. Apperley’s amiable duo (Blossom and Boo: A Story About Best Friends, not reviewed) continue to wield an enchanting appeal. Readers will readily recognize favored pastimes of the preschool set: discovering shapes in cloud formations, dancing, and frolicking about with carefree abandon. Like all youngsters, the bunny and cub ponder what they are missing while they slumber. Saying goodnight to their diurnal pals, the two eagerly await the arrival of the moon, only to discover that the woods at night can be an alarming experience. Despite being spooked, they quickly determine the commonplace sources for the ominous sounds and sights. However, with the arrival of the sun comes the determination that for light-loving creatures such as themselves, nighttime is best spent snuggled up asleep. Apperley’s art imbues the tale with her own distinctive blend of whimsy. Pencil-and-watercolor illustrations beguile readers with a bevy of cuddlesome critters. Simply rendered, the full-bleed pictures have a child-like feel that is utterly appealing: chunky, rounded bees buzz past a bright field of daisies, while round little ducklings bob in the stream. A likable tale that gently encourages would-be night owls to roost for the evening. (Picture book. 3-5)
Pub Date: April 1, 2001
ISBN: 0-316-05312-0
Page Count: 32
Publisher: Megan Tingley/Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2002
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Kimiko Kajikawa & illustrated by Ed Young ‧ RELEASE DATE: Jan. 1, 2009
Through quick thinking and personal sacrifice, a wise old Japanese farmer saves the people of his village from a devastating tsunami in this simple yet striking story based on Lafcadio Hearn’s “A Living God.” Ojiisan lives in a cottage on a mountain overlooking the village and sea. One day, villagers gather to celebrate the rice harvest, but Ojiisan stays home thinking “something does not feel right.” When the earth quakes and the sea darkens and runs away from the land, Ojiisan realizes a tsunami approaches. Fearing the oblivious villagers will be swept away, Ojiisan torches his rice fields to attract attention, and they respond, barely escaping the monster wave. Rendered in gouache, pastel and collage, Young’s illustrations cleverly combine natural textures, bold colors and abstract shapes to convey compelling images of chaos and disaster as the rice fields burn and the wave rushes in. In one literally breathtaking double-page spread, an enormous wall of water engulfs the teeny seacoast village. A visually powerful and dramatic tribute to one man’s willingness to sacrifice everything for others. (Picture book. 3-5)
Pub Date: Jan. 1, 2009
ISBN: 978-0-399-25006-4
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
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