Corrigan clearly had fun writing this. Fans of light mysteries and strong women will have fun reading it.
Corrigan’s Mitigating Circumstances is billed as a thriller, but it’s told with a light touch.
Gail LaRue is a junior city planner for Gulf Breeze in Florida’s panhandle. Her hands are full dealing with code violations such as the rash of illegal signs that pop up everywhere in the middle of the night. The signs refer to land mitigation, the process of creating new wetlands equal to the amount of wetlands being destroyed by developers. Meanwhile, an environmentally active woman named Karen Baretta is kidnapped—not for ransom or sex, but for a more creative reason. Still, her life is in danger. Can Gail help authorities rescue her? This is mostly Gail’s story, with a good deal of Karen’s point of view included. Gail is smart, funny and tough when circumstances call for it. Instead of using profanity, she and co-worker Em express exasperation by exclaiming the names of dead writers: “Edna St. Vincent Millay!” “John Greenleaf Whittier!” Near and dear to Gail’s heart are “The Girls,” which she calls her breasts. This becomes important when one of The Girls plays a creative role in resolving the story. The humor is gentle, often evoking smiles or chuckles but not gut-busting guffaws. Now and then, Gail’s explanations of rules and regulations get a tad wonky, but those digressions are mercifully short. So this isn’t your typical thriller where the tension and the body count continue to build—they don’t. Or where the fate of Western civilization hangs in the balance—it doesn’t. We’re just talking Gulf Breeze here. This is simply an enjoyable read with strong, likable women holding center stage. Less serious than Sue Grafton’s Kinsey Millhone, Gail LaRue is more like Janet Evanovich’s heroine. Think Stephanie Plum without the wackiness.
Corrigan clearly had fun writing this. Fans of light mysteries and strong women will have fun reading it.Pub Date: Dec. 18, 2013
ISBN: 978-1-4328-2779-3
Page Count: 236
Publisher: Five Star
Review Posted Online: Oct. 8, 2017
Kirkus Reviews Issue: Nov. 1, 2013
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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