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SEDATING ELAINE

Brash and engaging on the sentence level but fails to create empathy for a main character who feels none herself.

A woman must navigate the demands of her sexually voracious girlfriend while staying one step ahead of her drug dealer’s terrifying enforcers, Betty and the Ladies.

Frances owes money to her dealer, Dom. She has one week to pay up or else he’ll have no choice but to call in his enforcer, Betty, who does horrifying things with a straightening iron to encourage payment. To make matters worse, Frances’ new girlfriend, Elaine, has become so demanding of her time that Frances has determined to dump her, just as soon as she can get a word in edgewise. But when Dom delivers a warning directly to Frances’ flat, she realizes that desperate times call for desperate measures. In exchange for monthly rent, Frances invites the irrepressible Elaine to move in with her, an agreement to which Elaine enthusiastically agrees. Frances is an emotionally stunted character, still grieving the breakup of her relationship with the woman she believes to be the love of her life, still suffering from her mother’s childhood abandonment, so overwhelmed by the world that she has stayed in the same dishwashing job for years because the routine brings a numbing escape from her feelings. In spite of Frances’ truculence, Elaine—who is bouncy, bubbly, raunchy, and desperately needy—is head over heels in love and sets about remaking Frances in the image of someone capable of loving her back. After only a day or so of cohabitation, Frances has had enough. She embarks on a plan to keep Elaine quiet—with the help of a sedative procured by Dom and slipped into Elaine’s cinnamon latte. When this plan goes predictably wrong, Frances is forced to confront the demons of her own past as she runs from the iron-wielding harpies of her future. The result is an eager, slightly unwieldy novel that suffers from its tendency to slip into an expository style. Frances’ reluctance to engage with her girlfriend often slides into outright cruelty, and the fun the book pokes at the expense of Elaine’s frank and overambitious sexuality mirrors that cruelty rather than diffusing or justifying it. A turn at the end seeks to ratify this dynamic, but it is too little too late to redeem “Funny Frances,” as Elaine calls her, who seems willing to let almost anything happen to the people around her if it buys her a little more time to stew on her own hurt feelings.

Brash and engaging on the sentence level but fails to create empathy for a main character who feels none herself.

Pub Date: April 12, 2022

ISBN: 978-0-593-32054-9

Page Count: 272

Publisher: Knopf

Review Posted Online: Jan. 25, 2022

Kirkus Reviews Issue: Feb. 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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