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THE MISBIRTH

A patchy, sensationalist tale that seems primarily invested in unsettling its readers.

A coming-of-age novel about a young man’s tragic family ties.

After 16-year-old Chester White got a girl named Shirley pregnant, he dropped out of high school to support his new family. Now 27, he hates his wife and is unsatisfied with his career as a jukebox and pool-table vendor. Shirley is unsettled by her hostile husband, but she finds some solace in raising their 11-year-old daughter, Patricia. One night, after Chester hears that Shirley publicly insulted him, he rapes Patricia in a drunken rage; the girl doesn’t tell her mother about the incident, but seven months later, she’s too sick to go to school. A blood test at the doctor’s office informs Shirley of the unthinkable: Her child is pregnant. She secures a late-term abortion for Patricia, but the doctor keeps Shirley out of the room when he performs his procedure. While Patricia is unconscious, the aging, childless doctor secretly induces labor; he then takes the baby home to raise and lies to Shirley about the infant’s fate. It’s a truly memorable setup for a novel. However, these initial details pass quickly; the bulk of the book is dedicated to the story of Patricia’s secret child, Logan. It chronicles his various trials and triumphs until he enters an elite boarding school at age 16 and meets his personal mentor—an attractive, older teacher named Patricia. Like all Oedipal stories, Moffatt’s (Beltway Justice, 2013) relies heavily on dramatic irony and a sense of destiny winding to a messy, inevitable conclusion. Logan is an intriguing protagonist who’s kind and loyal and has a strong sense of justice, and his occasional moments of violence and petty criminality will force the reader to question how much of Logan’s nature he inherited from his evil father. However, the author blunts this positive element with strangely truncated, staccato paragraphs (many are only a sentence long); redundancies (“Jack Reed started to hyperventilate anxiety”); rushed character development; and massive plot contrivances.

A patchy, sensationalist tale that seems primarily invested in unsettling its readers.

Pub Date: March 25, 2018

ISBN: 978-1-59630-103-0

Page Count: 398

Publisher: BeachHouse Books

Review Posted Online: Sept. 28, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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