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DARKSIGHT

An action-packed thriller full of authentic human drama skillfully depicted.

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In this debut novel, a young blind woman participates in an experiment that could restore her sight but becomes unwittingly drawn into a dark, scientific conspiracy. 

Audra Carter lost her sight when she was 10 years old in a tragic car accident that killed her mother. But it’s hard to consider this 24-year-old woman disabled because she’s so independent. She’s a DJ who spins the “coolest ambient beats” and is gifted with a high degree of “blindsight”: “The remarkable ability among some of the visually impaired to sense objects even though they have no visual field, even if totally blind.” In fact, Audra can maneuver a bicycle and fend off an assailant. Her father, Jenson, a scientist working on a possible cure for blindness, assembles a group of test subjects, including his own daughter, and administers an experiment. The experiment fails, but when the test subjects start to turn up murdered, Jenson becomes a “person of interest.” He suspects his collaborator, Stefan Vanek, is somehow involved. Then Audra is kidnapped and used as a lab rat to develop “mysterious skills” that can be employed in nefarious activities. Mallery artfully combines two genres in one book: a crime drama that follows Jenson’s race to find Audra before it’s too late, and an SF tale about the technological possibilities for expanding human potential. The author also includes a surprisingly thoughtful portrayal of the experience of blindness, rendered lucidly and poignantly: “After the accident took her sight, she often sensed something beyond the void. Unheard voices, unseen faces. Back then, it had been the seeds of nightmares, of waking screaming at night, her father rushing to her room, holding her tight.” But this is primarily a thriller, and while the action is briskly paced, Mallery does tend to favor the heavy-handedly melodramatic, an inclination evidenced by his uninhibited use of italics. Nevertheless, this tale is an intelligently conceived work, driven more than anything else by fully developed characters in the throes of real human emotions. 

An action-packed thriller full of authentic human drama skillfully depicted.

Pub Date: June 8, 2019

ISBN: 978-1-64437-061-2

Page Count: 358

Publisher: Black Opal Books

Review Posted Online: Dec. 2, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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