Appealing middle-grade fantasy that doesn’t condescend; should appeal to young readers craving sci-fi adventure that is both...
A 13-year-old boy and 14-year-old girl are pulled into an unexpected quest to save the universe in Ammerman’s (Anteater-Boy, 2011) comic fantasy for young readers.
When Wilkin Delgado’s dad leaves, his mom’s friend Marie and her daughter, Alice Jane, move in with them. Shortly afterward, in order to supplement their income, Wilkin finds himself having to move out of his old room so that his mom can rent it out. Their first lodger is a strange old man named Cardamon Webb, whose arrival coincides with a number of other weird events, such as piles of dust bunnies appearing out of nowhere and the moon disappearing. Shortly thereafter, Cardamon reveals himself to the kids as a “plumber”—not an ordinary one, however, but someone whose job it is to plug up all of the holes in the universe when problems occur, such as demons from other dimensions bleeding through into our world. He enlists Wilkin and Alice Jane’s help to restore everything to normal. Ammerman structures this clever, engaging story as a series of alternating first-person chapters narrated by Wilkin and Alice Jane, each with a strong voice whose authenticity and humor provide a sharp, deliberate contrast to the novel’s funny, fantastical occurrences. In a refreshing change of pace from the norm, these two kids, who dislike each other from the start, don’t grow to become friends by the end, which helps underscore the story’s playful bite. Over its course, characters such as Cardamon and another plumber, Philbus Trot, introduce the children to a charmingly apocalyptic mythology including the Gutrog, a terrifying reptilian creature who is the harbinger of the end times, and the Greater and Lesser Ma-Loos, other dark signs who are nonetheless apparently “cute.” This surprising tour through the universe may lack the satirical sophistication of Douglas Adams, but it often calls to mind his whimsy and comedic juxtaposition of the cosmic and the mundane.
Appealing middle-grade fantasy that doesn’t condescend; should appeal to young readers craving sci-fi adventure that is both pleasingly oddball and intelligently silly.Pub Date: Aug. 27, 2014
ISBN: 978-0984682232
Page Count: 162
Publisher: Kabloona
Review Posted Online: Nov. 6, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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