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A GENTLEMAN AND A THIEF

THE DARING JEWEL HEISTS OF A JAZZ AGE ROGUE

A rousing tale of true crime that elicits sympathy for both victims and perpetrator.

An entertaining history of a criminal mastermind who, like most such geniuses, got caught in the end.

Jobb, the author of The Case of the Murderous Dr. Cream, lands quite the subject with Arthur Barry, an Irish kid who, hanging out in the streets of a gritty Massachusetts factory town, learned to mimic the manners of the upper crust and put his gift to advantage. He charmed his way into the inner circle of the British royal family, and after one quick job, he wandered away with the equivalent of $250,000 in precious gems. Barry, as Jobb deftly paints him, was a man of parts: a war hero who returned home to don debonair disguises and sneak into the soirees and homes of the very wealthy, but who, even though remembered by a socialite as “a rather gallant burglar,” also was not above using violence to achieve his nefarious ends. Setting aside deadly force, a would-be jewel thief could learn a thing or two about the trade from reading Jobb’s vivid account of Barry’s career. Like any good tactician, Barry believed in endless planning and intelligent action. Would-be victims might learn, too, that it’s rarely a good idea to appear with one’s best jewels on the society page. Even though Barry’s haul in the 1920s alone was $60 million in today’s dollars, he frittered away much of that money. Reflecting on the fact that he’d also spent nearly two decades in prison, he also expressed regret to an interviewer. In listing his crimes, he said, “When you put down all those burglaries…be sure you put the big one at the top. Not Arthur Barry…robbed the cousin of the King of England, but just Arthur Barry robbed Arthur Barry.”

A rousing tale of true crime that elicits sympathy for both victims and perpetrator.

Pub Date: June 25, 2024

ISBN: 9781643752839

Page Count: 448

Publisher: Algonquin

Review Posted Online: April 20, 2024

Kirkus Reviews Issue: May 15, 2024

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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HIP-HOP IS HISTORY

Questlove’s instincts as a superfan and artist take this history beyond the hype to something very special.

A memorable, masterful history of the first 50 years of an indelible American art form.

While historians often cast themselves as omniscient in their works, delivering facts and stories as important without acknowledging the impact of their own experiences on the narrative process, Questlove—drummer, DJ, music historian, and author of Mo’ Meta Blues, Creative Quest, and Music Is History—is forthcoming about the fact that he experienced music differently as he grew older. “I wasn’t sitting down for five hours listening to them over and over and over again, trying to unpack every nuance from every corner,” he writes, recalling his feelings decades into his relationship with the genre. “But I was—I am—a DJ, which meant that I had a professional interest in excavating the songs that worked.” The author’s observations spanning the entirety of hip-hop’s history are consistently illuminating—e.g., connecting its shift in five-year increments to the dominant drug of the period, from crack to sizzurp to opioids. However, it’s his personal connection to certain eras that make his latest book stand out. Questlove considers the late 1980s and early ’90s as the “golden age of hip-hop, when innovative MCs and innovative DJs seemed to spring up every few months, and classic albums regularly sprouted on the vine.” That era—filled with masterpieces from Public Enemy, De La Soul, and N.W.A.—is universally revered, but Questlove also recognizes that it coincides with the years between high school and when he officially became an artist—a time when he was immersed in finding inspiration and understanding the construction of hip-hop. While the author’s knowledge of hip-hop is as deep as any musicologist, it’s his passion for certain artists and songs that sets him apart.

Questlove’s instincts as a superfan and artist take this history beyond the hype to something very special.

Pub Date: June 11, 2024

ISBN: 9780374614072

Page Count: 352

Publisher: AUWA/MCD

Review Posted Online: March 25, 2024

Kirkus Reviews Issue: May 1, 2024

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