An electrifying terrorfest in which Koontz (Hideaway, 1992, etc.), inking his silkiest writing yet, takes on the serial-killer novel and makes it his own. Koontz hooks us at once (``Tuesday was a fine California day, full of sunshine and promise, until Harry Lyon had to shoot someone at lunch'') and never lets go. Harry is a cop, and the man he guns down—with help from Harry's partner, Connie Gulliver—is a crazy who disrupts the cops' restaurant-lunch by shooting the joint to bits. It's an exhilarating opener—and it's also a lovely red herring, because the crazy has no connection, other than as another symptom of the rot of modern life, with the killer that Harry and Connie take on later. He's Bryan Drackman, who fixates on the cops when he's drawn to the restaurant carnage. Bryan, like most serial killers, believes that he has godlike powers; but Bryan—and here's Koontz's ace—really does. Mutated in the womb by radiation and drugs, Bryan has grown into a sociopath who can conjure up any entity he wants—especially ``Ticktock,'' a giant who stalks Harry, Connie, and several others, including a dog whose periodic narration (``Piece of paper. Candy wrapper. Smells good'') is so charming that you don't mind that Koontz used a similar dog-ploy in Watchers (1986). Ticktock warns Harry & Co. that they'll die at dawn—and it's only late into the night that they learn of Bryan's greatest power: the power to stop time, which unveils in a jaw- dropping set-piece in which the cops flee through a frozen world with Ticktock close behind. But Bryan, the cops now know, must sleep after his time-stopping binges: Can they find him before he wakes up? Koontz gets a bit preachy about social decay—but his action never flags in this vise-tight tale that'll rocket right to the top of the charts. (Literary Guild Dual Selection for March)
Pub Date: Jan. 5, 1993
ISBN: 0-399-13789-0
Page Count: 384
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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