A unique examination of womanhood as well as a compelling, complex mystery.
Four female assassins on the brink of retirement are brought back into the game by a surprising assassination attempt—on them.
Since they were recruited in their 20s, Billie, Mary Alice, Helen, and Natalie have been working as secret assassins for a clandestine international organization originally created to hunt Nazis. Now they're in their mid-60s, and the Museum—as its denizens call the elite group—has sent them on an all-expenses-paid cruise to celebrate their retirement. Several hours into the trip, though, Billie discovers another of the Museum's assassins onboard the ship. It turns out that she and her colleagues have uncovered a plot to end their own lives. They're forced to flee while simultaneously solving the mystery of why their employers have put targets on their backs. The story jumps back and forth between the late 1970s and early '80s, when the women were first recruited, to the present day, when the female assassins have all lived long, full lives and worry about menopause and lost spouses more than whom they might kill next. Juxtaposing the two timelines creates an interesting dichotomy that examines the nuances of the female aging process from a unique angle. The writing is witty and original, and the plot is unpredictable; Billie is a complex and likable character, but the other three women, while easy to root for, tend to blend together. As the women race around the world trying to stay alive, Raybourn vividly evokes a number of far-flung locations while keeping readers on their toes trying to figure out what's going to happen next.
A unique examination of womanhood as well as a compelling, complex mystery.Pub Date: Sept. 6, 2022
ISBN: 978-0-593-20068-1
Page Count: 368
Publisher: Berkley
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Red-hot storytelling.
Two master storytellers create one explosive thriller.
Mauna Loa is going to blow within days—“the biggest damn eruption in a century”—and John “Mac” MacGregor of the Hawaiian Volcano Observatory leads a team trying to fend off catastrophe. Can they vent the volcano? Divert the flow of blistering hot lava? The city of Hilo is but a few miles down the hill from the world’s largest active volcano and will likely be in the path of a 15-foot-high wall of molten menace racing toward them at 50 miles an hour. “You live here, you always worry about the big one,” Mac says, and this could be it. There’s much more, though. The U.S. Army swoops in, and the chairman of the Joint Chiefs of Staff personally “drafts” Mac into the Army. Then Mac learns the frightening secret of the Army’s special interest in Mauna Loa, and suddenly the stakes fly far, far beyond Hilo. Perhaps they can save the world, but the odds don’t look good. Readers will sympathize with Mac, who teaches surfing to troubled teens and for whom “taking chances is part of his damned genetic code.” But no one takes chances like the aerial cowboy Jake Rogers and the photographer who hires him to fly over the smoldering, burbling, rock-spitting hellhole. Some of the action scenes will make readers’ eyes pop as the tension continues to build. As with any good thriller, there’s a body count, but not all thrillers have blackened corpses surfing lava flows. The story is the brainchild of the late Crichton, who did a great deal of research but died in 2008 before he could finish the novel. His widow handed the project to James Patterson, who weaves Crichton’s work into a seamless summer read.
Red-hot storytelling.Pub Date: June 3, 2024
ISBN: 9780316565073
Page Count: 432
Publisher: Little, Brown
Review Posted Online: June 20, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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