A PLAGUE AMONG US

In this eighth installment of a mystery series, the Chautauqua Institution confronts its first Covid-19 death—or was it murder?

Another summer season brings another mysterious death to the Institution, an educational, artistic, and spiritual retreat in Western New York state. On a bench in Bestor Plaza, Mimi Goldman, a reporter for Chautauqua’s The Dailyand an incorrigible sleuth, and her partner in crime-solving, the spirited 95-year-old Sylvia Pritchard, are savoring an outdoor, socially distanced coffee break. Mimi, the series’ lead protagonist, tells her friend that last week’s running gag in the snarky, satirical publication Buglelists the plagues that have beset the Institution in this 2020 summer of Covid-19. And Mimi and Sylvia are among those targeted by the anonymous Bugle writer: “The plague of hail is Chautauqua’s own geezer gumshoes: Me-Me Goldman and Over-the-Hillvia Pritchard” because they “clamor like a drumbeat of hail for attention.” Mimi mentions her boss disclosed that the anonymous Buglewriter is the wealthy Albert Martin, and a surprised Sylvia responds that he is the Institution member who died of Covid-19. On Saturday, during a Zoom staff meeting, Mimi receives an email from Al’s sister, Shannon, asking for help in investigating his death. It turns out it was a telemed doctor who linked Al’s symptoms to Covid-19, and the two surviving Martin brothers had his body cremated without the benefit of an autopsy. There are plenty of suspects—especially the diverse members of the dysfunctional Martin clan—who may have wanted Al dead. But Mimi’s first task is to figure out how he died. With an enthusiastic Sylvia at the wheel (Mimi doesn’t drive), the two women head out to question the coroner. In this enjoyable novel, Pines uses tightly constructed dialogue, often tinged with light, sarcastic repartee, to establish her captivating characters. The author also presents a rich assortment of potential motives for murder, with money and revenge topping the list. There is a new, gently somber tone to this episode, reflective of the first summer of the pandemic. Concerts, lectures, and even sporting events are conducted remotely, and Pines effectively communicates the humorous, frustrating technical quirks that have become routine over the past year.

An intriguing and engaging crime tale with some levity to lighten the pandemic element.