When “Chick blows his trumpet the wallpaper curls,” but he is some kind of forgetful. Nephew and aspiring clarinetist C.J. takes it upon himself to track down his uncle’s errant hat in time for his appointment with the photographer from Highnote magazine, and as he stops in at Chick’s hangouts, the news about the photographer spreads. C.J. arrives home downcast and without the hat, but trailing in his wake are a crowd “of the greatest musicians and singers in Harlem. It was like seeing the sun, the moon, and the stars all shining at once.” While they are inspired by the great Art Kane photograph, Harlem 1958, picture-book newcomers Taylor and Morrison do not seek to tell its story; rather, they riff on the possibilities, turning the focus from the already-famous to the child who hopes to be someday. The text adopts a jazzy inflection, with dialogue that’s hipper than hip, but it’s the illustrations that really zing. Bright acrylics abandon realism to emphasize rhythm, elongated forms moving sinuously against backgrounds that curve, slant, and boogie-woogie—but almost never stay still. Nearly pitch-perfect. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-165-1
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Amusing but a little off tempo.
It’s important to hit all the right notes.
A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)
Amusing but a little off tempo. (glossary) (Picture book. 6-8)Pub Date: March 14, 2023
ISBN: 978-1-64567-631-7
Page Count: 32
Publisher: Page Street
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
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