A book that seeks to be a meet-cute for two couples while reinforcing traditional Christian gender roles and partnerships.
Opposites attract in a story of friendship and love that spans the week before Christmas 1977.
Hank Meyer, owner and bartender of a tavern in Kettle Springs, has been best friends with Pete Rhinehart, pastor of the Light and Life Church in Bridgeport, nearly their entire lives. In high school, the pair played football and ran track together. Now adults, they are single and still meet up roughly once a month to have lunch together. Over one lunch, while complaining about how difficult their lives are and how neither of them have found a woman to marry yet, they decide to switch places for a week, swapping back for Christmas Eve so Pete can run his church service. For that week, however, Hank will perform all the pastoral duties that fill Pete’s days and Pete will run the tavern that takes all Hank’s time and energy. Since this is also a story told through the eyes of a grandmother to two of her grandchildren—seen only in snippets, à la The Princess Bride—it is also a story with kissing in it, much to her grandson’s horror. Pete’s sister, Grace Ann, is the church secretary, caught up in her holier-than-thou worldview, and Millie, a lunchtime waitress in the diner where Hank and Pete meet, is also a bartender at the local strip club. Macomber has written a story that's heavy-handed in its belief in the importance—and redemptive qualities—of Christianity for individuals and communities. Gender stereotypes define each character. Women are helpmates. Men are portrayed as knowing best about everything: the Bible; love; romance; whether or not a woman’s name should be shortened in a way she explicitly says she doesn't like; and the idea that if she clearly dislikes someone, what she really needs is a kiss.
A book that seeks to be a meet-cute for two couples while reinforcing traditional Christian gender roles and partnerships.Pub Date: Oct. 18, 2022
ISBN: 978-0-593-50010-1
Page Count: 240
Publisher: Ballantine
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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