Plainly channeling Roald Dahl and Charles Addams through her own uniquely wacky sense of humor, Gliori dishes up as a successor to Pure Dead Magic (2001) an equally barbed, sidesplitting farce. After being nearly pulped by pieces of slate falling from the roof of their ancient Scottish manor, the Strega-Borgia clan—including its nonhuman retainers, some of whom are mythological—finds itself ruinously expensive temporary lodgings in the nearby town of Auchenlochtermuchty, while slimy building contractor Vincent Bella-Vista, under the guise of effecting repairs, removes the roof entirely to further a nefarious scheme. Meanwhile, young Titus Strega-Borgia’s plan to clone himself and his lippy sister Pandora with a process gleaned from the Internet goes badly astray, leaving him with not two hyperactive homunculi but 500, none of them toilet-trained. Relentlessly refusing readers a chance to draw breath, the author piles complication atop catastrophe (nearly each of which involves vast amounts of physical destruction), and while bringing everything ’round right in the end dispatches Bella-Vista, along with three equally squalid associates, in spectacular fashion. The body count may be high—especially considering that four out of five of the rapidly aging little clones die before the conscience-stricken Strega-Borgia sibs can get the survivors into cryogenic storage next to six-times-great grandmother Strega-Nonna—but that’s just one wild exaggeration among many in this pedal-to-the-metal page turner. (Fiction. 11-13)
Pub Date: Aug. 27, 2002
ISBN: 0-375-81411-6
Page Count: 224
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
If Rotten Ralph were a boy instead of a cat, he might be Joey, the hyperactive hero of Gantos's new book, except that Joey is never bad on purpose. In the first-person narration, it quickly becomes clear that he can't help himself; he's so wound up that he not only practically bounces off walls, he literally swallows his house key (which he wears on a string around his neck and which he pull back up, complete with souvenirs of the food he just ate). Gantos's straightforward view of what it's like to be Joey is so honest it hurts. Joey has been abandoned by his alcoholic father and, for a time, by his mother (who also drinks); his grandmother, just as hyperactive as he is, abuses Joey while he's in her care. One mishap after another leads Joey first from his regular classroom to special education classes and then to a special education school. With medication, counseling, and positive reinforcement, Joey calms down. Despite a lighthearted title and jacket painting, the story is simultaneously comic and horrific; Gantos takes readers right inside a human whirlwind where the ride is bumpy and often frightening, especially for Joey. But a river of compassion for the characters runs through the pages, not only for Joey but for his overextended mom and his usually patient, always worried (if only for their safety) teachers. Mature readers will find this harsh tale softened by unusual empathy and leavened by genuinely funny events. (Fiction. 11-13)
Pub Date: Oct. 1, 1998
ISBN: 0-374-33664-4
Page Count: 154
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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