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BLACK AND WHITE

A book for adults and little ones to share, appreciate, and consider together.

Black and White are different, but wonderful things happen when they are together.

When White wakes up, extends through the sky, and enters the window, Black goes under the bed to hide. How could this be the basis for a friendship? But after Black sprays some black on White and the result is “So cool!” they’re off on an adventure. Valentinis’ elegant illustrations using only black and white—as befits the story—depict a forest, both North and South poles, a savanna, a jungle, and back home again before it is time for White to say good night and for Black to take over. The sights in each locale are the results of Black and White coming together (a Dalmatian, a polar bear’s black nose and eyes, black heads, backs, and wings of penguins, etc.), depicted with no outlines, thus allowing the images to dissolve into negative space and thereby stressing their oneness in spite of their difference. The story unfolds in short spare sentences that match the illustrations, both text and artwork presenting just enough for readers to fill in the details with their imaginations. Taken together the book makes for a delightful experience on several levels. The aesthetic of the artwork is spare, modern, and elegant. Never preachy, the story invites readers to consider how much more we could be if, instead of focusing on what makes us different, we focused on the results when we come together.

A book for adults and little ones to share, appreciate, and consider together. (Picture book. 3-5)

Pub Date: Aug. 31, 2021

ISBN: 978-0-8028-5575-6

Page Count: 48

Publisher: Eerdmans

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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ONE MORE DINO ON THE FLOOR

It’s a bit hard to dance, or count, to this beat.

Dinos that love to move and groove get children counting from one to 10—and perhaps moving to the beat.

Beginning with a solo bop by a female dino (she has eyelashes, doncha know), the dinosaur dance party begins. Each turn of the page adds another dino and a change in the dance genre: waltz, country line dancing, disco, limbo, square dancing, hip-hop, and swing. As the party would be incomplete without the moonwalk, the T. Rex does the honors…and once they are beyond their initial panic at his appearance, the onlookers cheer wildly. The repeated refrain on each spread allows for audience participation, though it doesn’t easily trip off the tongue: “They hear a swish. / What’s this? / One more? / One more dino on the floor.” Some of the prehistoric beasts are easily identifiable—pterodactyl, ankylosaurus, triceratops—but others will be known only to the dino-obsessed; none are identified, other than T-Rex. Packed spreads filled with psychedelically colored dinos sporting blocks of color, stripes, or polka dots (and infectious looks of joy) make identification even more difficult, to say nothing of counting them. Indeed, this fails as a counting primer: there are extra animals (and sometimes a grumpy T-Rex) in the backgrounds, and the next dino to join the party pokes its head into the frame on the page before. Besides all that, most kids won’t get the dance references.

It’s a bit hard to dance, or count, to this beat. (Picture book. 3-5)

Pub Date: March 1, 2016

ISBN: 978-0-8075-1598-3

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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