by Deborah Burns ‧ RELEASE DATE: April 9, 2019
A profound, searching remembrance that explores a complex family bond.
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Debut author Burns recalls growing up in the shadow of her glamorous mother in this memoir.
The book opens with a description of a recurring nightmare, which the author experienced sporadically over many years following her mother’s death. In it, she fails to call her ill mother, as she’s unable to remember her telephone number. Wracked with guilt, she asks herself, “How could I be such a terrible daughter?” Throughout her relationship with her mom, Burns says, she was always in “chasing mode, in longing pursuit of something fleeting.” Dotty, the author’s parent, was a “spectacular woman everyone thought was a movie star”; she was frequently compared to Rita Hayworth. The memoir reveals that Dotty married into the Canzoneri family, who owned an exclusive country club that was frequented by members of the New York criminal underworld. Dotty dazzled the clientele, and her lifelong passion for socializing resulted in her daughter often being sidelined. The memoir’s title is a reference to the fact that on Saturdays, the author and her mother would spend time together, shopping and having ice cream. Burns addresses how she coped with always playing “second fiddle” to her mom while also feeling “desperate to be loved by her.” She’s a devilishly sharp writer who achieves a masterful balance of psychological excavation and sumptuous description. Here’s her acerbic accounting of her maternal grandfather: “he was a man with no family at all—as if he too had sprouted fully formed, miserable and alone after he ate whoever made him.” However, when it comes to her mother, she rarely moves beyond her image of her as a “goddess.” When describing Dotty’s lifestyle, Burns vividly evokes the glamour of mid-20th-century American high society; for instance, she recalls how her mom “dressed in full regalia for all her public travels…with fitted knee-length pencil skirts and high patent leather heels.” But the most affecting aspect of this memoir is how the author is liberated by confronting her idealized perception of her parent while remaining tender to her memory. (Illustrated with black-and-white family photographs.)
A profound, searching remembrance that explores a complex family bond.Pub Date: April 9, 2019
ISBN: 978-1-63152-547-6
Page Count: 256
Publisher: She Writes Press
Review Posted Online: Jan. 3, 2019
Kirkus Reviews Issue: March 1, 2019
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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