by Deborah Cadbury ‧ RELEASE DATE: Oct. 26, 2010
A fine pocket history of corporate confectionery, though there’s still room for a less Cadbury-focused entry.
The tale of the surprisingly cutthroat world of corporate chocolate-making, influenced by religion, science, slavery and globalization.
In early 2010, Kraft Foods acquired Cadbury, the longtime independent British chocolate maker. Deborah Cadbury (Space Race: The Epic Battle Between America and the Soviet Union for Dominion of Space, 2006, etc.), a descendant of the family that had run what was once the world’s largest confectioner, laments the ownership change, and makes her anti-Kraft bias clear in the opening and closing pages of the book. The narrative isn’t solely focused on Cadbury, however, and the author gives ample space to the many firms that have fought to dominate the market since the mid-1800s. At that time, Cadbury was one of a handful of Quaker-owned British confectioners that eschewed advertising and redirected profits to charity. But the firms weren’t especially talented at making very good chocolate, and they struggled to produce a tasty and sturdy chocolate bar. As American and Swiss firms like Hershey and Nestlé began to perfect that bar, Cadbury and others hastened to keep up. The author entertainingly captures the spirit of innovation—and occasional lobbying and corporate espionage—that pulled Cadbury from the brink of disaster. The family’s influx of profits, along with its do-gooder instincts, prompted it to construct Bournville, a corporate campus for workers away from the Birmingham slums, and to halt the slave-labor practices in São Tomé and Príncipe, where much of its cocoa was grown. Through the 20th century, the British companies were challenged not just by European companies but American juggernauts like Hershey and Mars, and Cadbury has a knack for capturing the driven personalities who launched these empires. Corporate growth has its downside, though, and some of the book’s personality is bled from the later chapters, as globalization begins to hold sway and the narrative focuses more heavily on merger negotiations. By the end, a better chocolate bar has been built, but Cadbury’s storytelling has faded as much as the company’s old Quaker-capitalist morals.
A fine pocket history of corporate confectionery, though there’s still room for a less Cadbury-focused entry.Pub Date: Oct. 26, 2010
ISBN: 978-1-58648-820-8
Page Count: 384
Publisher: PublicAffairs
Review Posted Online: Aug. 9, 2010
Kirkus Reviews Issue: Sept. 1, 2010
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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