by Deborah Cadbury ‧ RELEASE DATE: July 12, 2022
An inspiring, well-researched life portrait of a spectacularly heroic teacher.
A Holocaust-era biography about a courageous educator who, like many, found it impossible to see “how humanity could progress in the kind of society Hitler was making.”
Though Anna Essinger (1879-1960) is largely forgotten, BBC producer Cadbury’s compelling, often disturbing narrative will convince readers of her historical significance. Traveling to the U.S. at age 20, Essinger obtained a degree in education and inspiration from Quaker humanitarian values. Returning to impoverished post–World War I Germany, she worked in famine relief and visited schools, which employed almost militarily strict methods. In 1926, Essinger opened a progressive school where children and teachers lived together, sharing responsibility for education as well as discipline. It succeeded and received praise from local educational authorities. Most of the students were Jewish (as was Essinger). When Hitler took power in 1933, most German Jews temporized, but the prescient Essinger immediately determined to move her school to Britain. Remarkably, she was able to bring 70 children to Bunce Court, an impressive if run-down country manor. After much labor from staff and students, the school took off, as Essinger was able to integrate the school “into the British educational system while retaining its essential uniqueness.” Soon, desperate Jewish families inside Germany were pleading with Essinger to accept their children. Although always near bankruptcy, she kept the school open against overwhelming odds. In addition to lauding Essinger’s dedication, Cadbury emphasizes the school’s superior education. Students delivered lectures and performed plays, concerts, and operas for the community. After the end of the war, the school accepted survivors from Nazi-occupied Europe, and most thrived. Cadbury devotes a few chapters to their experiences, passages that emphasize the loathsomeness of Nazi behavior. Elderly and infirm, Essinger closed the school in 1948, but graduates continued to relish their experience and hold reunions. Mused one former student, “I can never understand why more schools are not run on a similar basis.”
An inspiring, well-researched life portrait of a spectacularly heroic teacher.Pub Date: July 12, 2022
ISBN: 978-1-5417-5119-4
Page Count: 448
Publisher: PublicAffairs
Review Posted Online: April 4, 2022
Kirkus Reviews Issue: May 1, 2022
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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