In the stormwater’s swirl, Campbell has found a bright and tender leaf to follow, and the effect on readers will be...
A Canadian journalist covering the plight of Iraqis who fled to Syria a decade ago enlists the help of an Iraqi woman in Damascus—friendship and disaster ensue.
In 2007, Campbell (Creative Writing/Univ. of British Columbia), a three-time National Magazine Award winner for foreign correspondence, was working on a major story for Harper’s about Iraqi refugees when she first made contact with Ahlam, an Iraqi woman who served as her “fixer” (one who clears paths for journalists). Their professional relationship soon grew personal, and the author chronicles what went well and what went terribly wrong. Told principally in the first person, Campbell’s story includes not only her stark and frightening experiences in Damascus, but also her fracturing love life back home as well as background on the Iraq War and ensuing civil war and the frangible stability in Syria, the only country to accept large numbers of Iraqi refugees. As she worked on her story, Campbell’s friendship with Ahlam flourished and continued when the author left the country. Then Campbell found out that Ahlam had been arrested. The author, feeling profound guilt (was it because of her?), employed numerous strategies to find out why she was arrested, where she was being held, and what the charges were. Campbell’s text races along—catching readers’ hearts as it goes—and after the arrest, the author includes sections of “Ahlam’s Story,” grim third-person accounts about the experience of prison: deprivation, interrogations, violence, and terror. These sections increase the tension in readers, who have known since the beginning that dark things were on the way. The author sometimes veers a little toward the melodramatic near the ends of chapters, but it’s a small quibble in a powerful book.
In the stormwater’s swirl, Campbell has found a bright and tender leaf to follow, and the effect on readers will be transformative.Pub Date: Sept. 5, 2017
ISBN: 978-1-250-14787-5
Page Count: 352
Publisher: Picador
Review Posted Online: May 27, 2017
Kirkus Reviews Issue: June 15, 2017
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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