An undistinguished addition to the infuriatingly overstuffed shelves of anger-management treatises.
Pout-Pout goes off the deep end.
Plainly afflicted with anger issues, Mr. Fish leverages a broken knickknack, difficulty finding glue, and the mild reactions of his neighbors to his plight into a towering, out-of-control tantrum. Mrs. Squid offers a tried-and-true (though, at least for a fish, physically impossible) counterstrategy: “To get started, simply breathe. / Then slowly count from one to ten / To counteract the seethe.” Miss Shimmer, another fish, suggests using his words to talk out his feelings…which he does (though only in the pictures, as Diesen declines to use her words to describe what he actually says). Finally, “with words and self-compassion / I bring anger to a stop,” and once he’s gotten his “grrrrr” out, the glue even turns up so that in no time fish and fracture are both “good as new.” Unlike the “seethe” in Molly Bang’s When Sophie Gets Angry—Really, Really Angry… (1999) or Polly Dunbar’s Red Red Red (2020), the rage here comes across as manufactured rather than genuine—and the coping techniques are more described in general terms than actually demonstrated. Hanna’s cartoon cast of fancifully colored deep-sea denizens is as googly-eyed as ever. He adds some amusing details, as with the labels on Mr. Fish’s storage bins (“Might Need Someday” and “Not Sure will look later”), but the souvenir from “Machoo Poochy” is an unfortunate choice. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 75% of actual size.)
An undistinguished addition to the infuriatingly overstuffed shelves of anger-management treatises. (Picture book. 6-8)Pub Date: May 11, 2021
ISBN: 978-0-374-30935-0
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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