A compelling fable about unity, peace, and pride, despite some clashing cultural components.
A princess must defend her realm from a would-be usurper in this illustrated children’s book.
Princess Dembe is the sole heir to the throne of the Beloved Land, and is herself beloved by the Bwindi Forest’s fairies and other creatures, including the mountain gorilla Abbo, who once saved her from a crocodile. Dembe, along with her father, King Rumba, mourn Queen Tessa’s recent death. Prince Damian, however, can think only about taking the throne for himself: “I swear on all my land that I will either marry Dembe or do away with her….I was born to be King and so I am the King of them all!” After hearing this, the fairies transform Damian into an anteater, but a mistake allows him to become human again. He then gathers an army, intending to take over the throne and marry the princess, but the fairies warn Dembe, who alerts her people of the coming attack. Later, Dembe celebrates with the people, animals, and fairies of the Beloved Land, announcing, “We are one people now. We shall live in peace.” Henry (The Whipping Club, 2012) places her children’s book in an apparently African setting; for example, the Bwindi Forest recalls Uganda’s Bwindi Impenetrable Forest, which also has gorillas. However, there also many odd European and North American elements mixed in, such as fairies, wild cranberries, and names such as Bertha, Wanda, and Miranda. That said, the story is engaging, and Henry persuasively conveys its urgency. When Dembe announces the coming attack, for example, the author writes that “The crowd breathed out as if one huge breath of worry.” Greaves’ (Imagine, 2019, etc.) pen-and-ink illustrations, presented in black-and-white with touches of red, are nicely detailed and expressive, as when they show the gorilla’s protectiveness or Damian’s sullenness.
A compelling fable about unity, peace, and pride, despite some clashing cultural components.Pub Date: Oct. 23, 2019
ISBN: 978-0-648-48929-0
Page Count: 38
Publisher: Daisy Lane Publishing
Review Posted Online: Sept. 4, 2019
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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