An intriguing premise that might have benefited from more heated drama.
After more than 60 years, a woman reconnects with her estranged brother and his family.
Kalb’s novel opens in a festive mood: Howard Pinsky, the patriarch of a Washington, D.C.–area family, has just turned 75. It’s on that day that his older sister, Adele, whom he hasn’t seen in decades, calls him out of the blue. His first reaction is bafflement: “What does one say to a sister one hasn’t seen or spoken to in sixty-four years, he thought hazily.” Adele tells Howard that she’d like to visit, and the novel traces how her presence influences several members of the family in the days and weeks that follow. It’s an eventful time for the family, with one grandchild about to become bar mitzvah and the impending birth of another. Not everyone is thrilled to have Adele there—she alienates Howard's wife, Marilyn, not long after they meet. Gradually, Adele begins providing advice to Howard’s children and grandchildren. She’s also prone to dropping hints to the parts of her life when she was out of touch, as in, “You know, I had a stint on local television. Back in the seventies. I covered all kinds of stories.” She also alludes to vanishing from her brother’s life by saying, “Wouldn’t you want to escape from West Orange?” It’s unclear if there’s some secret underlying some of these events, especially Adele’s leaving home in her teens, her interest in reconnecting with Howard, and her treatment of Marilyn. Kalb instead opts for a less conflict-heavy resolution; there are no grim family secrets or shocking revelations to be found here. Kalb does juggle a large cast of characters well, but the stakes don’t have much impact.
An intriguing premise that might have benefited from more heated drama.Pub Date: July 18, 2023
ISBN: 9781627204491
Page Count: 316
Publisher: Loyola College/Apprentice House
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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BOOK REVIEW
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