Impassioned writers bearing witness to survival, creativity, and hope.
Essays by women of color offer intimate, candid reflections on their lives.
Santana gathers an articulate, often moving collection of essays focused on cultural and gender identity, the meaning of home, work experiences, social justice, family and friendship, beauty, sexuality, illness, and journeys. Many of the contributors are Californians, either by birth or adoption, and reflect on their affinity for—or estrangement from—the communities in which they live, work, and raise their children. Brief biographies follow each essay, summarizing the writer’s accomplishments; still, despite achievements as writers, educators, and activists, most are likely to be unfamiliar to general readers. Among the recognizable names are actress America Ferrera, represented by an excerpt from her speech at the Women’s March in Washington on Jan. 21, 2017; Marian Wright Edelman, founder and president of the Children’s Defense Fund, who celebrates the “great heritage of strength, courage, faith and belief” demonstrated by social reformers; Emmy Award–winning newscaster Belva Davis, whose essay takes the form of a letter to her granddaughter, urging her “to move through life with no barriers”; and novelist Natalie Baszile, who writes of her connection to Louisiana, where her father grew up. Fulbright scholar Ethel Morgan Smith writes about her friendship with the daughter of a Holocaust survivor, a relationship that foundered over Smith’s respect for Barack Obama and Angela Davis. Exasperated, Smith told her friend “she didn’t own all of the pain in history.” Pain is a recurring theme in essays that consider racism, xenophobia, and inequality. Black Latina Nuris Terrero reveals the challenges she faced as a single mother determined to break the cycle of violence that blighted her own family. Art historian Terezita Romo speaks to the need for “inclusive American art” in museums. “There are some moments in history,” essayist Hope Wabuke asserts, when writers “have a responsibility to look. To bear witness.” Other contributors include Jennifer De Leon, V.V. Ganeshananthan, and Porochista Khakpour.
Impassioned writers bearing witness to survival, creativity, and hope.Pub Date: Jan. 30, 2018
ISBN: 978-0-9972962-1-1
Page Count: 366
Publisher: Nothing But The Truth Publishing
Review Posted Online: Sept. 24, 2017
Kirkus Reviews Issue: Oct. 15, 2017
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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