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ALBATROSS

Name: ALBATROSS
Author: Deborah Scaling Kiley
ISBN: 0-395-65573-0

THE TRUE STORY OF A WOMAN'S SURVIVAL AT SEA

by Deborah Scaling Kiley & Meg Noonan ‧ RELEASE DATE: May 2, 1994

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The knockout story of Deborah Kiley's five days and nights on a raft in heavy seas during a storm. Aided by journalist Noonan, she spins a harrowing tale. In 1982, 24-year-old Kiley, who had already sailed the Whitbred and other famous sailboat endurance races, fell in with John Lippoth, captain of the Trashman, a heavy-handling, 58-foot yacht he was sailing from Maine to Florida. The Trashman set sail with Debbie and John; his girlfriend Meg Mooney; tall, muscular Brad Cavanaugh and his buddy Mark Adams, a Brit with pale blue malamute eyes and a stupefyingly evil tongue. Somewhere off North Carolina they hit 40-foot seas; 80-knot winds shredded the sails and the engine burned out. The description of this part of the storm is hair-raising, with the crew frantically trying to handle the wheel and the character of each member showing strong and clear. Then, while Debbie was below catching a few hours sleep, the ship went down—in two minutes. (Her account of the terrifying awakening in heaving seas gives shivers.) The five victims clung to a rubber raft and initially fought hypothermia by staying in the water, whose walloping waves were warmer than the air. Eventually, they boarded the raft, found that Meg had many deeply infected cuts and scrapes, and kept each other warm by gathering in a heap in urinous bilge (released urine gave their only heat). Sharks tried to sink the raft from beneath; John and Mark drank seawater, went mad, and cast themselves into the sea; Meg died of blood poisoning. After many ships failed to see them, a Russian freighter finally picked up Brad and Debbie. Short and adrenaline-charged, especially with those sharks.

Pub Date: May 2, 1994

ISBN: 0-395-65573-0

Page Count: 210

Publisher: Houghton Mifflin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 1, 1994

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.