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GIRLFRIEND ON MARS

Winsome, sweet, and apocalyptic—a perfect blend for the end of days.

Amber Kivinen is going to Mars! She just has to win a game show first.

Amber and Kevin Watkins have known each other since second grade and have been going out since they were 17. When they left their hometown of Thunder Bay, Ontario, to move to Vancouver, it was supposed to be for brighter horizons—an escape from their oppressive home lives and a chance to pursue their dreams. Ten years later, those dreams seem to have stalled out. Kevin’s ambition to be a screenwriter only lasted one semester in film school, and in spite of her master’s degree in environmental science, Amber is working as a receptionist. To supplement their incomes Amber and Kevin also run a small-scale hydroponic marijuana farm out of their basement apartment and, inevitably, partake fairly heavily of their product. For Kevin this life seems an ideal fit; he is perfectly content to go nowhere as long as he and Amber are “going nowhere together.” Amber, however, who was on track to become an Olympic gymnast before a shoulder injury sidelined her, has nowhere to channel the energy that propelled her to athletic greatness except into a cycle of self-destructive flirtations. That is, until she hears about the MarsNow mission and the attendant game show, a “Survivor-meets-Star-Trek amalgam,” in which the two winners—one man and one woman—will receive one-way tickets to Mars as the first Marsonauts in billionaire tech guru Geoff Task’s settlement. Seemingly against all odds, Amber is chosen to appear on the show; then, as 12 grueling weeks of challenges winnow down the competitors, it becomes a real possibility that she might win, leaving Earth, and Kevin, behind forever. Part disaffected-slacker rom-com, part social satire, part wistful end-of-the-world eulogy for ordinary, unscripted love, this novel veers close to the kind of wearying cynicism and late-stage capitalist master-villainy that would make its conceit feel familiar. Yet again and again the novel saves itself from this fate by the very real hope at the heart of its main characters’ binary orbit around each other—that love may be enough after all; if not to save them, then at least to make sure they will not be forgotten.

Winsome, sweet, and apocalyptic—a perfect blend for the end of days.

Pub Date: June 13, 2023

ISBN: 9780393285918

Page Count: 336

Publisher: Norton

Review Posted Online: April 10, 2023

Kirkus Reviews Issue: May 1, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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