GIRLFRIEND ON MARS

Amber Kivinen is going to Mars! She just has to win a game show first.

Amber and Kevin Watkins have known each other since second grade and have been going out since they were 17. When they left their hometown of Thunder Bay, Ontario, to move to Vancouver, it was supposed to be for brighter horizons—an escape from their oppressive home lives and a chance to pursue their dreams. Ten years later, those dreams seem to have stalled out. Kevin’s ambition to be a screenwriter only lasted one semester in film school, and in spite of her master’s degree in environmental science, Amber is working as a receptionist. To supplement their incomes Amber and Kevin also run a small-scale hydroponic marijuana farm out of their basement apartment and, inevitably, partake fairly heavily of their product. For Kevin this life seems an ideal fit; he is perfectly content to go nowhere as long as he and Amber are “going nowhere together.” Amber, however, who was on track to become an Olympic gymnast before a shoulder injury sidelined her, has nowhere to channel the energy that propelled her to athletic greatness except into a cycle of self-destructive flirtations. That is, until she hears about the MarsNow mission and the attendant game show, a “Survivor-meets-Star-Trek amalgam,” in which the two winners—one man and one woman—will receive one-way tickets to Mars as the first Marsonauts in billionaire tech guru Geoff Task’s settlement. Seemingly against all odds, Amber is chosen to appear on the show; then, as 12 grueling weeks of challenges winnow down the competitors, it becomes a real possibility that she might win, leaving Earth, and Kevin, behind forever. Part disaffected-slacker rom-com, part social satire, part wistful end-of-the-world eulogy for ordinary, unscripted love, this novel veers close to the kind of wearying cynicism and late-stage capitalist master-villainy that would make its conceit feel familiar. Yet again and again the novel saves itself from this fate by the very real hope at the heart of its main characters’ binary orbit around each other—that love may be enough after all; if not to save them, then at least to make sure they will not be forgotten.

Winsome, sweet, and apocalyptic—a perfect blend for the end of days.