A compelling plot and mounting sense of dread infuse this atmospheric thriller with plenty of chills.
A woman must uncover the truth behind the horrifying bargain that strips her of her senses, one by one, in Every’s horror novel.
Deena Bartlett cares for her dying, elderly Aunt Agatha at Wilshire Rehab Center. She has long had a tumultuous relationship with her cantankerous aunt, but Deena—partly fueled by the facts that her own parents were both dead by the time she was 25 and that Agatha is the only living relative she has left— attempts to do her part. When Wilshire’s mysterious old cleaning woman, Jadwiga, warns her to “take care…She is coming for you,” Deena soon finds herself facing a nightmarish set of attacks seemingly designed to take out her five senses, one by one: “The hum rose higher in pitch, piercing the stale, hot air. Deena threw her hands over her ears hoping to block it out—which was when she discovered it wasn’t coming from the room. It was coming from inside her head, growing louder and higher, throbbing against her temples, pressing against her eyes until it felt as if they would burst from their sockets.” Deena seeks help from Jadwiga, who reveals that Agatha made a deal with the Sensu, an ancient creature who feeds off Deena’s senses in exchange for curing Agatha. After each attack, Deena is left with a mark somewhere on her body for five days before the Sensu moves on to the next sense. When Deena is branded with the last Tactu (touch) mark, her life will end. To stop the relentless attacks, Deena must discover the truth behind her aunt’s bargain before it’s too late.
Every has crafted a genuinely spooky tale that relies less on body horror and more on the slow and patient buildup of moody suspense—an approach that fans of Grady Hendrix and Stephen King will surely welcome. The gore is never gratuitous as the tension slowly mounts and Deena uncovers the family secrets that have made her a marked woman. That’s not to say the book doesn’t have some absolutely stomach-churning moments, especially when it comes to the twisted old Agatha: “With a satisfying sense of release she pulls off her fingers, one by one, and drops them into the lake, watching the blood turn the water black. As each finger sinks it expands, becoming a formless, irregular mass floating just below the surface. She gazes at them as a mother would her children, her need for a legacy finally satisfied.” The dialogue mostly feels natural, with only a few missteps—such as the repeated appearances throughout the novel of a disembodied voice intoning “I’ve got you now,” a catchphrase that tends to come across as more “campy Wicked Witch” than legitimately creepy. The author manages to infuse her solid horror story with larger themes—including motherhood, grief, youth, and death—that lend Deena an added layer of depth while raising the stakes of her emotional and physical journey. The novel’s eerie, open-ended conclusion is reminiscent of classic horror novels and movies that manage to satisfy even as they unsettle.
A compelling plot and mounting sense of dread infuse this atmospheric thriller with plenty of chills.Pub Date: Oct. 8, 2024
ISBN: 9781960456137
Page Count: 272
Publisher: Woodhall Press
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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