DEENA UNDONE

A woman must uncover the truth behind the horrifying bargain that strips her of her senses, one by one, in Every’s horror novel.

Deena Bartlett cares for her dying, elderly Aunt Agatha at Wilshire Rehab Center. She has long had a tumultuous relationship with her cantankerous aunt, but Deena—partly fueled by the facts that her own parents were both dead by the time she was 25 and that Agatha is the only living relative she has left— attempts to do her part. When Wilshire’s mysterious old cleaning woman, Jadwiga, warns her to “take care…She is coming for you,” Deena soon finds herself facing a nightmarish set of attacks seemingly designed to take out her five senses, one by one: “The hum rose higher in pitch, piercing the stale, hot air. Deena threw her hands over her ears hoping to block it out—which was when she discovered it wasn’t coming from the room. It was coming from inside her head, growing louder and higher, throbbing against her temples, pressing against her eyes until it felt as if they would burst from their sockets.” Deena seeks help from Jadwiga, who reveals that Agatha made a deal with the Sensu, an ancient creature who feeds off Deena’s senses in exchange for curing Agatha. After each attack, Deena is left with a mark somewhere on her body for five days before the Sensu moves on to the next sense. When Deena is branded with the last Tactu (touch) mark, her life will end. To stop the relentless attacks, Deena must discover the truth behind her aunt’s bargain before it’s too late.

Every has crafted a genuinely spooky tale that relies less on body horror and more on the slow and patient buildup of moody suspense—an approach that fans of Grady Hendrix and Stephen King will surely welcome. The gore is never gratuitous as the tension slowly mounts and Deena uncovers the family secrets that have made her a marked woman. That’s not to say the book doesn’t have some absolutely stomach-churning moments, especially when it comes to the twisted old Agatha: “With a satisfying sense of release she pulls off her fingers, one by one, and drops them into the lake, watching the blood turn the water black. As each finger sinks it expands, becoming a formless, irregular mass floating just below the surface. She gazes at them as a mother would her children, her need for a legacy finally satisfied.” The dialogue mostly feels natural, with only a few missteps—such as the repeated appearances throughout the novel of a disembodied voice intoning “I’ve got you now,” a catchphrase that tends to come across as more “campy Wicked Witch” than legitimately creepy. The author manages to infuse her solid horror story with larger themes—including motherhood, grief, youth, and death—that lend Deena an added layer of depth while raising the stakes of her emotional and physical journey. The novel’s eerie, open-ended conclusion is reminiscent of classic horror novels and movies that manage to satisfy even as they unsettle.

A compelling plot and mounting sense of dread infuse this atmospheric thriller with plenty of chills.