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BLOK 42

A vivid and insightful historical novel by a debut author.

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In Obara’s novel, a young Polish woman shows indomitable courage in the face of the occupation of her country during World War II.

In 1939, Aniela Bartosz (née Majewska) has a wonderful life in Kraków. She’s married to a good man, Henryk Bartosz, and they have a beautiful daughter, Wanda. But when the Nazis march into Poland, the Bartoszes’ dream turns into a nightmare. Aniela’s father, Professor Bogdan Majewski, is arrested with the whole faculty of his university and dies in a labor camp; Henryk goes off to join the defense forces and then the resistance against the Nazis. Strong-willed Aniela is seen as a troublemaker by the Nazis and winds up in Auschwitz—but before that happens, little Wanda is taken from her mother and given to a German family to raise as their own. Aniela later becomes the secretary of a camp functionary named Joachim Beckmann, who rapes her and then convinces himself that he’s in love with her; she suffers through this because he promises that he’ll try to find out what happened to Wanda. Later, however, she’s sent to Blok 42, the camp brothel for Polish prisoners. Blok 42 was a real place at Auschwitz, and the author’s discovery of this fact inspired the novel. Obara is Polish American and the daughter of immigrants, so she knows the culture of the Bartoszes well, and her prose is skillful throughout, as when she describes a bombing as “obliterating…men in an arc of chaotic energy.” And she captures the arrogance and cruelty of the Nazis, as well their blind hypocrisy, as when Beckmann warns Aniela that Russians have no ethics. Aniela is a strong and memorable character who achieves “a fundamental belief in…what that life was worth.” The book’s last lines are truly stunning.

A vivid and insightful historical novel by a debut author.

Pub Date: March 28, 2024

ISBN: N/A

Page Count: 312

Publisher: Vanguard Press

Review Posted Online: Feb. 28, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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