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I SEE THE SUN IN THE USA

From the I See the Sun… series

Well-intended—but woefully inadequate to its task.

The newest in the I See the Sun… series is a paean to American diversity.

During a trip to Mount Rushmore, Stella, a biracial girl with a white mother and Indian-American father, explores how her family differs from others, including: a transracial-transnational adoptive Alabama family with two white moms; a black family from Massachusetts; and a multigenerational, white Iowan family. Stilted, lengthy, first-person narration details her observations and fails in earnest efforts to affirm pluralism. The book presents family trees with inadequately contextualized lineages and later delivers a ham-fisted treatment of Native peoples and history. On the latter note, Stella’s father tells her that “the Lakotas really own the Black Hills where Mt. Rushmore is. The Black Hills are sacred to the tribe, but the United States government won’t allow them to perform their ceremonies there anymore.” This reads as a simplistic aside, since their subsequent trip to the Lakota reservation where she meets a girl named Martha never expands on this cursory commentary about American settler colonialism. The closing, in which Stella’s mother sings “This Land Is Your Land” as a celebration of American diversity, provides a final, resounding note of erasure and insensitivity to Native peoples. The story is followed by backmatter that embraces the fraught term “melting pot” and never acknowledges the tension between American ideals and its history of colonialism and slavery, although it does comment with regret on the rise of nationalism following the 2016 presidential election.

Well-intended—but woefully inadequate to its task. (Picture book. 4-7)

Pub Date: Oct. 15, 2018

ISBN: 978-1-935874-36-2

Page Count: 40

Publisher: Satya House

Review Posted Online: Sept. 1, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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