An elegant examination of the people and mores of a particular time and place in the history of the British Empire; perfect...
Campbell’s darkly humorous historical novel follows the iconoclastic life of Cordelia Moran in 19th-century Calcutta.
These well-drawn, decidedly British characters spend their steamy days in India in erudite, witty repartee: “Young Richard set about earning his keep by keeping Delia amused, spying and lying for her, and defending her against the incumbent downstairs staff of crabby, dank cousins from the outskirts of Aix who always appeared to have slicked back their hair with their own sputum.” In Europe, Delia marries a man called only Mr. James, a recent widower in whose house she is recuperating from a medical procedure. After a few years of miscarriages and near-death pregnancies, her husband, who “slid into her bed” one night, dies, freeing Delia to return, wealthier, to India. In India, she enters into a murky relationship with D’mitri Shevchenko, a sinister character who supplies Delia’s dying mother with opiates and may or may not have kidnapped Delia’s ward, Alistair. To redeem Alistair, Delia marries Shevchenko while secretly married to another man, with whom she lives after leaving Shevchenko but with whom she is seldom seen. She grows reclusive as she ages, increasing the mystery surrounding her various adventures and misadventures, all the while remaining the center of attention in her small coterie of friends, admirers, and detractors. Campbell’s tale of an eccentric, independent woman living out her life in colonial Calcutta is set against a geographically accurate backdrop. It’s filled with wit, period detail, and literary references (like Delia’s name—a Shakespearean reference to Lear’s daughter banished for her independence). Her women are strong and eccentric; her men, delightfully Dickensian. The powerful writing style and clever characters are thoroughly enjoyable but can sometimes overshadow and confuse the storyline.
An elegant examination of the people and mores of a particular time and place in the history of the British Empire; perfect for anglophiles.Pub Date: May 18, 2018
ISBN: 978-1-64271-122-6
Page Count: 314
Publisher: Okir Publishing Inc.
Review Posted Online: Aug. 30, 2018
Kirkus Reviews Issue: Oct. 15, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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