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ALL DAUGHTERS ARE AWESOME EVERYWHERE

A thoughtful, observant collection of short stories from an important voice.

Stories that center on the mundane—and yet richly observed—lives of marginalized people.

In many of Bellinger’s stories, nothing particularly notable occurs. Or rather, what occurs is commonplace and deeply, tenderly human. These often very brief stories are not concerned with grand, sweeping plots or unexpected twists; instead, they mine the complex, often fraught relationships between characters. In one story, a violinist’s “one-day stand” leads her to reflect on past relationships; in the story “Awesome Everywhere,” a widow grieving the loss of her husband to suicide begins an affair with the mother of a girl in her daughter’s high school play. In “Jubilee,” Bellinger studies a cautious mother who dresses her daughter in baggy clothes and keeps her hair short so as not to attract unwanted male attention. Often, these stories stand at the intersection of identity: Many characters are both Black and queer, and subtly confronting their places in a society that is wary of them. In one particularly poignant story, a young Black professor struggles to establish herself at a small and predominantly white college; she doubts and second-guesses each action, worrying about how she will come across to white people—if she leaves the door of her office closed, will colleagues think her standoffish and unfriendly? At their best, these stories illuminate the prosaic lives of their characters, exposing both anguish and hope. Generally written with gentle clarity, though sometimes veering into enigmatic lyricism, Bellinger’s prose is honest and unflinching.

A thoughtful, observant collection of short stories from an important voice.

Pub Date: Sept. 1, 2024

ISBN: 9781496241306

Page Count: 164

Publisher: Univ. of Nebraska

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MORE THAN ENOUGH

Though uneven, this is still a pleasurable, comforting read.

Infertility, family secrets, and alpacas all figure in Quindlen’s latest meditation on mothering and domesticity.

Polly’s life looks enviable. Happily married to the adoring Mark—a vet at the Bronx Zoo—she teaches English at a private Manhattan girls’ school and loves her work. She has a protective older brother and close girlfriends, who’ve formed a book club where no one is expected to read the book. But Polly desperately wants a child and, at 42, knows time is running out. She and Mark have gone through endless fertility treatments, to no avail. Meantime, Polly’s friends have given her a DNA kit as a jokey birthday gift, and something mysterious shows up in the test results. Then, out of nowhere, a young woman contacts her, suggesting they may be related. That’s not all: Polly feels estranged from her mother, a revered judge who’s insufficiently maternal in her daughter’s view. Her father has always cherished her, but he’s in a nursing home now with a rapidly failing mind. And something is amiss with her best pal, Sarah. Quindlen’s trademark empathy is evident throughout, and her wry humor leavens some of the serious goings-on. Early on, Mark and Polly visit a fertility clinic with photos of babies in the waiting room; for Polly, “it felt…like a Weight Watchers facility with hot fudge sundae pictures on the wall.” Then we meet these charming alpacas, humming and pronking, on a farm run by an earth mother, whose wisdom will help Polly get on with her life. The plot swerves around a bit, there may be one surplus narrative thread (e.g., Polly’s star student Josephine running aground after graduation), and at the end, the author ties things up too neatly, pushing the “circle of life” theme too hard.

Though uneven, this is still a pleasurable, comforting read.

Pub Date: Feb. 24, 2026

ISBN: 9780593734605

Page Count: 256

Publisher: Random House

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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