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FRESH PRINCESS

STYLE RULES!

A fun, deceptively simple school story.

Destiny, nicknamed Fresh Princess, finds a way to make her mark at her new school after a move.

In this tale loosely inspired by Will Smith’s character on the 1990s sitcom The Fresh Prince of Bel-Air, the only thing Destiny isn’t looking forward to at her new school is the uniform. It’s boring—except for the purple paisley lining inside the blazer; that part “has some promise.” After a pep talk and a special first-day breakfast with her family, Destiny rides the bus to school with her new friends from the block, each of whom has a role to play at school: hall monitor, lunchroom helper, announcement reader. Destiny wonders what her role will be. After recess, Destiny accidentally puts her uniform jacket on inside out and then decides to leave it that way. Some kids admire it, but one student says she’ll get in trouble for wearing it that way, so she quickly turns it back. That night, she talks to her big sister about it, and she realizes that since she was still wearing her uniform, she wasn’t doing anything wrong. The next day, she inspires others to wear their jackets inside out too, and when the teacher compromises with permission to do so once a week, she is relieved and pleased to have made her mark. Destiny’s dilemma will resonate with outgoing, fashion-conscious children even if it lacks universal appeal. The playful illustrations have as much personality as the Fresh Princess herself. Destiny is black, and the students and teachers at her school are racially diverse.

A fun, deceptively simple school story. (Picture book. 5-8)

Pub Date: March 31, 2020

ISBN: 978-0-06-288458-9

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2020

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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